A highly opinionated wine guide from one of the country's most celebrated — and unorthodox — sommeliers and winemakers In this entertaining, informative, and thoroughly unconventional wine guide, award-winning sommelier, winemaker, and wine educator André Mack presents listeners with the 99 bottles that have most impacted his life. Instead of just pairing wines with foods, Mack pairs practical information with personal stories, offering up recommendations alongside reflections on being one of the only African-Americans to ever work at the top level of the American wine industry. The 99 bottles range from highly accessible commercial wines to the most rarefied Bordeaux on the wine list at The French Laundry, and each bottle offers listeners something to learn about wine. This window into Mack's life combines a maverick's perspective on the wine industry with an insider's advice on navigating wine lists, purchasing wine, and drinking more diverse and interesting selections at home. 99 Bottles is a one-of-a-kind exploration of wine culture today from a true trailblazer. BIO André Mack, one of the US’s top sommeliers, worked at both The French Laundry and Per Se. He is the founder of the Mouton Noir wine, annually producing 13 varietals in Oregon’s Willamette Valley, and he is also a graphic designer and visual artist. His first wine bar is slated to open in early 2019. Mack lives in Brooklyn, New York. [H] Abrams Image / October 29, 2019 0.8" H x 9.0" L x 6.5" W (1.5 lbs) 256 pages

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99 Bottles: A Black Sheep's Guide to Life-Changing Wines /// André Hueston Mack, illustrations by Rob Deborde

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Winner of the Man Booker PrizeOne of Entertainment Weekly's Top 10 Books of the Decade One of the Top 10 Books of 2014 - Michiko Kakutani, The New York Times A "thrilling, ambitious . . . intense" (Los Angeles Times) novel that explores the attempted assassination of Bob Marley in the late 1970s, from the author of Black Leopard, Red Wolf In A Brief History of Seven Killings, Marlon James combines masterful storytelling with his unrivaled skill at characterization and his meticulous eye for detail to forge a novel of dazzling ambition and scope. On December 3, 1976, just before the Jamaican general election and two days before Bob Marley was to play the Smile Jamaica Concert to ease political tensions in Kingston, seven unnamed gunmen stormed the singer's house, machine guns blazing. The attack wounded Marley, his wife, and his manager, and injured several others. Little was officially released about the gunmen, but rumors abounded regarding the assassins' fates. A Brief History of Seven Killings is James's fictional exploration of that dangerous and unstable time in Jamaica's history and beyond. Deftly spanning decades and continents and peopled with a wide range of characters--assassins, drug dealers, journalists, and even ghosts--James brings to life the people who walked the streets of 1970s Kingston, who dominated the crack houses of 1980s New York, and who reemerged into a radically altered Jamaica of the 1990s. Brilliantly inventive, A Brief History of Seven Killings is an "exhilarating" (The New York Times) epic that's been called "a tour de force" (The Wall Street Journal). BIO Marlon James was born in Jamaica in 1970. His most recent novel, A Brief History of Seven Killings, won the 2015 Man Booker Prize. It was also a finalist for the National Book Critics Circle Award and won the OCM Bocas Prize for Caribbean Literature for fiction, the Anisfield-Wolf Book Award for fiction, and the Minnesota Book Award. It was also a New York Times Notable Book. James is also the author of The Book of Night Women, which won the 2010 Dayton Literary Peace Prize and the Minnesota Book Award, and was a finalist for the 2010 National Book Critics Circle Award in fiction and an NAACP Image Award. His first novel, John Crow's Devil, was a finalist for the Los Angeles Times Book Prize for first fiction and the Commonwealth Writers' Prize and was a New York Times Editors' Choice. James lives in Minneapolis. REVIEWS "How to describe Marlon James's monumental new novel A Brief History of Seven Killings? It's like a Tarantino remake of The Harder They Come but with a soundtrack by Bob Marley and a script by Oliver Stone and William Faulkner, with maybe a little creative boost from some primo ganja. It's epic in every sense of that word: sweeping, mythic, over-the-top, colossal and dizzyingly complex. It's also raw, dense, violent, scalding, darkly comic, exhilarating and exhausting--a testament to Mr. James's vaulting ambition and prodigious talent." --Michiko Kakutani, The New York Times "James has written a dangerous book, one full of lore and whispers and history... [a] great book... James nibbles at theories of who did what and why, and scripts Marley's quest for revenge with the pace of a thriller. His achievement, however, goes far beyond opening up this terrible moment in the life of a great musician. He gives us the streets, the people, especially the desperate, the Jamaicans whom Marley exhorted to: 'Open your eyes and look within: / Are you satisfied with the life you're living?'" -- The Boston Globe "A sweeping novel that touches on family, friendship, celebrity, art, sexuality, ghetto politics, geopolitics, drug trade, gender, race and more, sending the reader from Jamaica to New York via Miami and Cuba and back." -- Newsweek [H] Riverhead Books / October 02, 2014 ﻿1.41" H x 9.55" L x 6.42" W (2.2 lbs) 688 pages [P] Riverhead Books / September 08, 2015 1.7" H x 8.2" L x 5.4" W (1.35 lbs) 704 pages

A Brief History of Seven Killings /// Marlon James

Paperback

-- THIS BOOK WILL SHIP ON OR AFTER SEPTEMBER 03, 2024 -- A new cookbook for beginners and curious cooks by Emmy Award–winning talk show host and journalist Tamron Hall and her good friend, award-winning chef Lish Steiling.When Tamron Hall and Lish Steiling first met while working at the Today show, they never imagined that their friendship would lead to endless kitchen adventures filled with laughs, learning, and even tears of pure joy. In A Confident Cook, they share that same empowerment and excitement with those who are just beginning to cook.Learn how to select the tools you need (and skip the ones you don’t!), how to stock your pantry, and how to cook for one, two, or a whole group. This book is packed with scrumptious recipes, including Baked French Toast with Sparkling Berries, Crispy Fried Chicken, Harissa Roasted Carrots with Queso Fresco, and Chai-Spiced Pudding, as well as cocktails and mocktails like the delicious “Not Tonight, Satan.” Throughout, Lish and Tamron chat, teach, learn, and inspire you to keep it going in the kitchen! BIO Tamron Hall is an American broadcast journalist, television talk show host and author. In September 2019, Hall debuted her self-titled syndicated daytime talk show, which has earned her two Daytime Emmy Awards. “Lish and Tamron’s passion for cooking and sharing meals with family and friends comes crashing through the pages of this playful compendium of simple, delicious recipes and techniques. The book is chatty and personal, with very clear directions on how to really set up your kitchen and become a confident cook. With irresistible recipes like Big Citrus Dutch Baby with Ice Cream Sauce for brunch and Chicken Thighs with Dates and Olives for dinner, I am in. You need this book!” -- Suzanne Goin “Get ready for a culinary adventure like no other! A Confident Cook is not your average recipe collection. It’s a conversation between friends. Join Lish and Tamron as they deliver simple and tasty twists to your favorite dishes, from classics to favorites. Get ready to explore a whole new world of deliciousness!” -- Carla Hall“A Confident Cook is what happens when two genuine pros collaborate—in this case, a seasoned chef and an acclaimed host/interviewer. Together, Tamron and Lish get at the very heart and soul of cooking, why it matters, how it connects us, and how truly satisfying it can be when done with patience and love. Theirs is a friendship worth celebrating!” -- Gail Simmons“A Confident Cook is the perfect title for this book. It will give you the skills and tips you’ve always wanted and will make you feel great in the kitchen. It is amazing to see a professional like Lish teach her friend Tamron the ins and outs of cooking. Lish makes everything look so easy due to her vast background, and has an extremely wide range of what she can cook. You will use this book day in and day out as your reference bible for things we all want to master—the perfectly cooked eggs, the crispiest roast chicken, the ultimate potatoes, the simplest desserts that will make you look like a pro. Brava, Tamron and Lish.” -- Missy Robbins [H] Hyperion Avenue / September 03, 2024 256 pages

-- THIS BOOK WILL SHIP ON OR AFTER SEPTEMBER 03, 2024 --
A new cookbook for beginners and curious cooks by Emmy Award–winning talk show host and journalist Tamron Hall and her good friend, award-winning chef Lish Steiling. When Tamron Hall and Lish Steiling first met while working at the Today show, they never imagined that their friendship would lead to endless kitchen adventures filled with laughs, learning, and even tears of pure joy. In A Confident Cook, they share that same empowerment and excitement with those who are just beginning to cook. Learn how to select the tools you need (and skip the ones you don’t!), how to stock your pantry, and how to cook for one, two, or a whole group. This book is packed with scrumptious recipes, including Baked French Toast with Sparkling Berries, Crispy Fried Chicken, Harissa Roasted Carrots with Queso Fresco, and Chai-Spiced Pudding, as well as cocktails and mocktails like the delicious “Not Tonight, Satan.” Throughout, Lish and Tamron chat, teach, learn, and inspire you to keep it going in the kitchen!
BIO
<meta charset="utf-8">Tamron Hall is an American broadcast journalist, television talk show host and author. In September 2019, Hall debuted her self-titled syndicated daytime talk show, which has earned her two Daytime Emmy Awards.
<meta charset="utf-8">
“Lish and Tamron’s passion for cooking and sharing meals with family and friends comes crashing through the pages of this playful compendium of simple, delicious recipes and techniques. The book is chatty and personal, with very clear directions on how to really set up your kitchen and become a confident cook. With irresistible recipes like Big Citrus Dutch Baby with Ice Cream Sauce for brunch and Chicken Thighs with Dates and Olives for dinner, I am in. You need this book!”  -- Suzanne Goin   “Get ready for a culinary adventure like no other! A Confident Cook is not your average recipe collection. It’s a conversation between friends. Join Lish and Tamron as they deliver simple and tasty twists to your favorite dishes, from classics to favorites. Get ready to explore a whole new world of deliciousness!” -- Carla Hall “A Confident Cook is what happens when two genuine pros collaborate—in this case, a seasoned chef and an acclaimed host/interviewer. Together, Tamron and Lish get at the very heart and soul of cooking, why it matters, how it connects us, and how truly satisfying it can be when done with patience and love. Theirs is a friendship worth celebrating!” -- Gail Simmons “A Confident Cook is the perfect title for this book. It will give you the skills and tips you’ve always wanted and will make you feel great in the kitchen. It is amazing to see a professional like Lish teach her friend Tamron the ins and outs of cooking. Lish makes everything look so easy due to her vast background, and has an extremely wide range of what she can cook. You will use this book day in and day out as your reference bible for things we all want to master—the perfectly cooked eggs, the crispiest roast chicken, the ultimate potatoes, the simplest desserts that will make you look like a pro. Brava, Tamron and Lish.”  -- Missy Robbins
[H]  Hyperion Avenue  /  September 03, 2024
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A Confident Cook: Recipes for Joyous, No-Pressure Fun in the Kitchen /// Tamron Hall, Lish Sterling /// pre

An outstanding feast of distinctively American culinary genius, this comprehensive collection of authentic African-American recipes was assembled by a well-known cooking columnist for Ebony magazine. Freda DeKnight was baking bread and biscuits by the time she was five years old. In the course of her career as a teacher and counselor of culinary arts, she assembled and shared thousands of fabulous recipes, the best of which appear here. Filled with the aroma of childhood memories, this guide helps modern cooks re-create hundreds of classic dishes for every meal of the day, from chicken and oyster gumbo to sweet potato pudding. The recipes start with appetizers, cheese, soups, relishes, and sauces, advancing to meats, fowl, fish, and all-in-one dishes. In addition to suggestions for vegetables, salads, and breads, the menu includes a mouthwatering selection of Creole dishes and delightful desserts. BIO Freda DeKnight was the Home Service Director for Johnson Publishing Company and author of Ebony magazine's monthly column, A Date with a Dish. [P] Dover Publications / January 15, 2014 1.3" H x 8.4" L x 5.4" W (1.05 lbs) 390 pages This item is not returnable.

A Date with a Dish: Classic African-American Recipes /// Freda DeKnight

A Junior Library Guild Gold Standard Selection Expert quilter Kim Taylor shares a unique and powerful story of the celebration of the first Juneteenth, from the perspective of a young girl.On June 19, 1865, in Galveston, General Gordon Granger of the Union Army delivered the message that African Americans in Texas were free. Since then, Juneteenth, as the day has come to be known, has steadily gained recognition throughout the United States. ln 2020,a powerful wave of protests and demonstrations calling for racial justice and equality brought new awareness to the significance of the holiday.A Flag for Juneteenth depicts a close-knit community of enslaved African Americans on a plantation in Texas, the day before the announcement is to be made that all enslaved people are free. Young Huldah, who is preparing to celebrate her tenth birthday, can’t possibly anticipate how much her life will change that Juneteenth morning. The story follows Huldah and her community as they process the news of their freedom and celebrate together by creating a community freedom flag. Debut author and artist Kim Taylor sets this story apart by applying her skills as an expert quilter. Each of the illustrations has been lovingly hand sewn and quilted, giving the book a homespun, tactile quality that is altogether unique. BIO Kim Taylor is a speech language pathologist and Department Supervisor at a large school for deaf children on Long Island. She is also an expert quilter whose works have been exhibited at several venues throughout the Midatlantic region. Taylor’s quilts reflect African American life, and she tells stories through her materials (visit Kim’s website to see her quilts). After researching the origins of the Juneteenth celebration, she created a Juneteenth story quilt which she has exhibited and presented in dozens of local schools. Realizing that few teachers and students had ever heard of the holiday, she was moved to write the book A Flag for Juneteenth. REVIEWS “The picture book . . . not only reveals Taylor’s considerable talents as an inspiring raconteur but as a self-taught quilter whose creations uniquely and symbolically illustrate the historically based narrative.” -- Newsday★ ”Kim Taylor’s portrayal of a girl witnessing the first Juneteenth, accompanied by exquisite quilted artwork, is filled with a spirit of jubilation and freedom. . . . her textile art perfectly complements her evocative prose. . . .” -- BookPage, Starred Review “The illustrations quilted by Taylor display strong artistic use of color, texture, movement, stitching, and symbols. Each page has vibrant colors that grab readers at first glance. . . . Taylor effectively breathes life into the characters, even those muddled in the background, by showing their humanity in each page.” -- School Library Journal“Both lyrical and descriptive, Huldah’s voice conveys the joy that is found in freedom. . . . A great introduction to the federal holiday.” -- The Horn Book“Taylor aptly depicts this story through colorful woven fabrics and folk art-style, quilted scenes.” -- Booklist“[A] moving debut. . . . It’s a discussion-starting, personal-feeling portrait of a communal celebration.” -- Publishers Weekly“The art in this work from quilter Taylor is stunning. The craftsmanship and attention to detail are breathtaking. . . . Visually dazzling. . . .” -- Kirkus Reviews [H] Neal Porter Books / January 03, 2023 0.39" H x 10.24" L x 9.92" W (0.92 lbs) 40 pages

A Flag for Juneteenth /// Kim Taylor

﻿A Good Day to Bake is full of 70 sweet and savory baking recipes for any day of the week, led by flavor. Going through the ritual of bringing out the measuring scales, pouring out flour, whipping up the eggs, stirring the batter and impatiently slicing up warm cake is a beautiful thing that deserves to be enjoyed all year round no matter the day, season or occasion. This is a cookbook that embraces simplicity, mindfulness and the therapeutic comforts of baking. The Great British Bake Off's 2016 contestant Benjamina writes so warmly about cakes and her recipes speak to a natural, seasonal and down-to-earth way of baking. Chapters include Herbs & Tea, Stone Fruit & Berries, Vegetables, Best of Beige, Spice Cupboard, and Chocolate. Because every day is a good day to bake. BIO Benjamina Ebuehi writes recipes, styles and creates content for media, such as BBC Good Food, Waitrose Weekend and Guardian Feast as well as brands such as Sainsbury's, McVities, Lindt, Lyles Golden Syrup, Anthropologie, Baileys and Schwartz spices. Benjamina is an ambassador for the incredible social enterprise Luminary Bakery, and co-founded, with her sister Bonita, The Sister Table (www.thesistertable.com), hosting pop-up brunches and supper clubs for women across London. Her food blog Carrot and Crumb (www.carrotandcrumb.com) was a finalist in the 2019 Saveur Blog Awards. A Good Day to Bake is her second cookbook. [H] Quadrille Publishing / March 01, 2022 0.9" H x 9.9" L x 7.5" W (1.85 lbs) 192 pages

﻿<meta charset="UTF-8">A Good Day to Bake is full of 70 sweet and savory baking recipes for any day of the week, led by flavor. 
Going through the ritual of bringing out the measuring scales, pouring out flour, whipping up the eggs, stirring the batter and impatiently slicing up warm cake is a beautiful thing that deserves to be enjoyed all year round no matter the day, season or occasion. 
This is a cookbook that embraces simplicity, mindfulness and the therapeutic comforts of baking. The Great British Bake Off's 2016 contestant Benjamina writes so warmly about cakes and her recipes speak to a natural, seasonal and down-to-earth way of baking. Chapters include Herbs &amp; Tea, Stone Fruit &amp; Berries, Vegetables, Best of Beige, Spice Cupboard, and Chocolate. 
Because every day is a good day to bake.
BIO
Benjamina Ebuehi writes recipes, styles and creates content for media, such as BBC Good Food, Waitrose Weekend and Guardian Feast as well as brands such as Sainsbury's, McVities, Lindt, Lyles Golden Syrup, Anthropologie, Baileys and Schwartz spices.
Benjamina is an ambassador for the incredible social enterprise Luminary Bakery, and co-founded, with her sister Bonita, The Sister Table (www.thesistertable.com), hosting pop-up brunches and supper clubs for women across London. Her food blog Carrot and Crumb (www.carrotandcrumb.com) was a finalist in the 2019 Saveur Blog Awards.
A Good Day to Bake is her second cookbook.
[H] Quadrille Publishing  /  March 01, 2022
0.9" H x 9.9" L x 7.5" W (1.85 lbs) 192 pages

A Good Day to Bake: Simple Baking Recipes for Every Mood /// Benjamina Ebuehi

“A compelling story of how the transformative events of history weigh on individual lives and relationships.” - Barack ObamaThe Nobel Prize–nominated Kenyan writer’s best-known novel, featuring an introduction by Nobel Prize winner Abdulrazak GurnahSet in the wake of the Mau Mau rebellion and on the cusp of Kenya's independence from Britain, A Grain of Wheat follows a group of villagers whose lives have been transformed by the 1952–1960 Emergency. At the center of it all is the reticent Mugo, the village's chosen hero and a man haunted by a terrible secret. As we learn of the villagers' tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested. BIO Ngugi wa Thiong'o is an award-winning novelist, playwright, and essayist from Kenya whose novels have been translated into more than thirty languages. He lives in Irvine, California, where he is Distinguished Professor of English and Comparative Literature at the University of California, Irvine. REVIEWS “One of the greatest writers of our time.” -- Chimamanda Ngozi Adichie, The Guardian“His novels . . . have been deservedly canonized by the iconic [Penguin Classics] series.” --The Wall Street Journal [P] Penguin Group / June 05, 2012 ﻿0.8" H x 7.6" L x 5.1" W (0.45 lbs) 272 pages

A Grain of Wheat /// Ngugi Wa Thiong'o, introduction by Abdulrazak Gurnah, edited by Chinua Achebe

-- This book is currently available in hardcover. The paperback version of this title is available for pre-order and will ship on or after September 17, 2024 -- The New York Times Book Review Editors’ Choice • Longlisted for the Orwell Prize for Political Fiction​ • A sweeping and beautifully rendered exploration of home and yearning, following the fracturing of a family upon the demise of its patriarch“Each character here is richly and deeply drawn…This is a novel that encourages us to stand in life’s burning doorways, and to think long before we walk away or walk through.”—New York TimesIn the early hours of June 14, 2017, the world watches as flames leap up the sides of a residential high-rise in West London, consuming Grenfell Tower and many of the lives within it. Across town, an earlier spark has caught fire. A cigarette left burning in an ashtray. A table strewn with post-it reminders and old newspapers. And one Cornelius Winston Pitt—estranged husband, complicated dad, and Pitt family patriarch—takes his final breaths alone.These twin tragedies open Diana Evans’s A House for Alice, an aching portrait of a family of women shaken by loss and searching for closure. At the novel’s center is Alice herself, the Pitt matriarch who, after fifty years in England, now longs to live out her final years in her homeland of Nigeria. Her three daughters are torn on the issue of whether she stays or goes, and while youngest sibling Melissa also grapples with the embers of her own failed relationship, the Pitt family’s foundational pillars—of trust, love, and cultural identity—begin to crack.Intimately drawn and set against a fraught political backdrop, yet equally full of hope, humor, and humanity, A House for Alice traces the scars of grief and betrayal across generations and uncovers the secrets we keep from those closest to us. BIO Diana Evans is the author of the novels 26a, The Wonder and Ordinary People. She has received nominations for the Whitbread First Novel, the Guardian First Book and the Commonwealth Best First Book awards and was the inaugural winner of the Orange Award for New Writers. Ordinary People won the 2019 South Bank Sky Arts Award for Literature and was shortlisted for the Women’s Prize for Fiction, the Rathbones Folio Prize and the Orwell Prize for Political Fiction, and also received a nomination for the Andrew Carnegie Medals for Excellence in Fiction. Her journalism appears in among others Time magazine, the Guardian, Vogue, and the Financial Times. She lives in London. REVIEWS A Most Anticipated Book: The New York Times, The Washington Post, The Boston Globe, Good Morning America •“Each character here is richly and deeply drawn, with histories and personalities so fully realized that it’s a pleasure to get to know them…This is a novel that encourages us to stand in life’s burning doorways, and to think long before we walk away or walk through.” -- New York Times“A beautiful, deep exploration of home and fractured families” -- Good Morning America“Twin domestic tragedies entwine in this richly loving and fraught novel. The 2017 Grenfell Towers fire in London looms as Diana Evans juxtaposes this disaster with the death of a patriarch whose loss complicates the actions of his wife, Alice, who longs to return at last to her homeland, Nigeria.” -- Boston Globe“The shifting sands of relationships, time, and place frame a vibrant new novel from an award-winning British writer.Broad in range, vivid in detail, alight often with eloquent language, Evans’ fourth novel, set among a Black community in London, takes time to reveal itself. Sprawling but always engaging, the novel’s cast is filled with rounded individuals, their problems and options as Black, middle-class Londoners showcased at work and play and contemplation, with humor and empathy.” -- Kirkus Review (starred review) “All is conjured with Evans’s keen eye for human behavior… Her prose is distinguished by its lively, lyrical energy, by its seemingly effortless expansiveness, and by masterful turns of phrase” -- Guardian “A warm but devastating narrative, dealing with the fallout of the Grenfell tragedy… Like any Evans novel, it is unputdownable” -- Harper’s Bazaar “Evans…has an exquisite turn of phrase…The people on the page, and the problems they face, are real and raw" -- Times UK [H] Pantheon Books / September 12, 2023 1.6" H x 9.3" L x 6.1" W (1.35 lbs) 352 pages

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This book is currently available in hardcover. The paperback version of this title is available for pre-order and will ship on or after September 17, 2024 --
The New York Times Book Review Editors’ Choice • Longlisted for the Orwell Prize for Political Fiction​ • A sweeping and beautifully rendered exploration of home and yearning, following the fracturing of a family upon the demise of its patriarch “Each character here is richly and deeply drawn…This is a novel that encourages us to stand in life’s burning doorways, and to think long before we walk away or walk through.” —New York Times In the early hours of June 14, 2017, the world watches as flames leap up the sides of a residential high-rise in West London, consuming Grenfell Tower and many of the lives within it. Across town, an earlier spark has caught fire. A cigarette left burning in an ashtray. A table strewn with post-it reminders and old newspapers. And one Cornelius Winston Pitt—estranged husband, complicated dad, and Pitt family patriarch—takes his final breaths alone. These twin tragedies open Diana Evans’s A House for Alice, an aching portrait of a family of women shaken by loss and searching for closure. At the novel’s center is Alice herself, the Pitt matriarch who, after fifty years in England, now longs to live out her final years in her homeland of Nigeria. Her three daughters are torn on the issue of whether she stays or goes, and while youngest sibling Melissa also grapples with the embers of her own failed relationship, the Pitt family’s foundational pillars—of trust, love, and cultural identity—begin to crack. Intimately drawn and set against a fraught political backdrop, yet equally full of hope, humor, and humanity, A House for Alice traces the scars of grief and betrayal across generations and uncovers the secrets we keep from those closest to us.
BIO
<meta charset="utf-8">Diana Evans is the author of the novels 26a, The Wonder and Ordinary People. She has received nominations for the Whitbread First Novel, the Guardian First Book and the Commonwealth Best First Book awards and was the inaugural winner of the Orange Award for New Writers. Ordinary People won the 2019 South Bank Sky Arts Award for Literature and was shortlisted for the Women’s Prize for Fiction, the Rathbones Folio Prize and the Orwell Prize for Political Fiction, and also received a nomination for the Andrew Carnegie Medals for Excellence in Fiction. Her journalism appears in among others Time magazine, the Guardian, Vogue, and the Financial Times. She lives in London.
REVIEWS
<meta charset="utf-8">A Most Anticipated Book: The New York Times, The Washington Post, The Boston Globe, Good Morning America • “Each character here is richly and deeply drawn, with histories and personalities so fully realized that it’s a pleasure to get to know them…This is a novel that encourages us to stand in life’s burning doorways, and to think long before we walk away or walk through.” -- New York Times “A beautiful, deep exploration of home and fractured families” -- Good Morning America “Twin domestic tragedies entwine in this richly loving and fraught novel. The 2017 Grenfell Towers fire in London looms as Diana Evans juxtaposes this disaster with the death of a patriarch whose loss complicates the actions of his wife, Alice, who longs to return at last to her homeland, Nigeria.” -- Boston Globe “The shifting sands of relationships, time, and place frame a vibrant new novel from an award-winning British writer. Broad in range, vivid in detail, alight often with eloquent language, Evans’ fourth novel, set among a Black community in London, takes time to reveal itself. Sprawling but always engaging, the novel’s cast is filled with rounded individuals, their problems and options as Black, middle-class Londoners showcased at work and play and contemplation, with humor and empathy.” -- Kirkus Review (starred review)   “All is conjured with Evans’s keen eye for human behavior… Her prose is distinguished by its lively, lyrical energy, by its seemingly effortless expansiveness, and by masterful turns of phrase” -- Guardian   “A warm but devastating narrative, dealing with the fallout of the Grenfell tragedy… Like any Evans novel, it is unputdownable” -- Harper’s Bazaar   “Evans…has an exquisite turn of phrase…The people on the page, and the problems they face, are real and raw" -- Times UK
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[H]  Pantheon Books  /  September 12, 2023 
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A House for Alice /// Diana Evans

Our history echoes with events which, over time, have become hidden, yet are important to all of us. Juneteenth is a celebration which recognizes the end of the enslavement of Black people in America. This book opens a door to understanding our history and celebrating our future—together.Meet A Kids Co., a new kind of media company with a collection of beautifully designed books that kickstart challenging, empowering, and important conversations for kids and their grownups. Learn more about us at akidsco.com. BIO Garrison Hayes (he/him) is a filmmaker, creator, and entrepreneur who amplifies stories which change the world. He believes the truth of the past helps us better understand the present and gives us the foundation to build a better tomorrow. [H] DK Publishing / May 21, 2024 0.5" H x 10.5" L x 8.3" W (0.9 lbs) 64 pages For ages 6 to 9

A Kids Book About Juneteenth /// Garrison Hayes /// new

“Steady-handed and gut-punching. I’m in awe.”—NoViolet Bulawayo An Oprah Daily Most Anticipated Book of 2024 In ten vivid, evocative stories set in contemporary Nigeria, Uche Okonkwo’s extraordinary debut asks: why are the people and places we hold closest so often the ones that drive us to madness? A teenage girl from a poor family is dazzled by her rich, vivacious friend, but as the friend’s behavior grows unstable and dangerous, she must decide whether to cover for her or risk telling the truth to get her the help she needs. A young woman and her mother bask in the envy of their neighbors when the woman receives an offer of marriage from the family of a doctor living in Belgium—though when the offer fails to materialize, that envy threatens to turn vicious, pitting them both against their community. And a lonely daughter finds herself wandering a village in eastern Nigeria in an ill-fated quest, struggling to come to terms with her mother’s mental illness. Across ten stories, Uche Okonkwo’s A Kind of Madness unravels the tensions between mothers and daughters, husbands and wives, best friends, siblings, and more, marking the arrival of an extraordinary new talent in fiction. BIO Uche Okonkwo’s stories have been published in A Public Space, One Story, the Kenyon Review, Ploughshares, The Best American Nonrequired Reading 2019, and Lagos Noir, among others. A former Bernard O’Keefe Scholar at Bread Loaf Writers’ Conference and resident at Art Omi, she is a recipient of the George Bennett Fellowship at Phillips Exeter Academy, a Steinbeck Fellowship, and an Elizabeth George Foundation grant. Okonkwo grew up in Lagos, Nigeria, and is currently pursuing a creative writing PhD at the University of Nebraska-Lincoln REVIEWS "This debut short-story collection features 10 stories set in present-day Nigeria, all concerned with madness—both the literal madness of mental illness as well as the unruliness of outsize emotions like envy, shame, and desire." -- Oprah Daily, A Most Anticipated Book of 2024"Okonkwo has a Chekhovian eye for the tangle of internal motivations and assumptions that steer her characters. . . .Readers will be eager for more of Okonkwo’s artful writing." -- Publishers Weekly, starred review"Surprising, illuminating, and deeply human." -- Booklist"Vivid. . . . In addition to striking a perfect balance between humor and heartbreak, A Kind of Madness shows incredible wiseness on the complexity and at times maddening nature of loving our family, our friends, and our home.” -- Chicago Review of Books, A Best Book of April"Amazingly written characters in unforgettable settings. Okonkwo’s writing is transformative". -- Debutiful, A Best Book of April [P] Tin House Books / April 16, 2024 0.64" H x 8.52" L x 5.57" W (0.53 lbs) 224 pages

<div class="book-short-description" data-mce-fragment="1">
“Steady-handed and gut-punching. I’m in awe.”—NoViolet Bulawayo
An Oprah Daily Most Anticipated Book of 2024
In ten vivid, evocative stories set in contemporary Nigeria, Uche Okonkwo’s extraordinary debut asks: why are the people and places we hold closest so often the ones that drive us to madness?
</div>
A teenage girl from a poor family is dazzled by her rich, vivacious friend, but as the friend’s behavior grows unstable and dangerous, she must decide whether to cover for her or risk telling the truth to get her the help she needs. A young woman and her mother bask in the envy of their neighbors when the woman receives an offer of marriage from the family of a doctor living in Belgium—though when the offer fails to materialize, that envy threatens to turn vicious, pitting them both against their community. And a lonely daughter finds herself wandering a village in eastern Nigeria in an ill-fated quest, struggling to come to terms with her mother’s mental illness.
Across ten stories, Uche Okonkwo’s A Kind of Madness unravels the tensions between mothers and daughters, husbands and wives, best friends, siblings, and more, marking the arrival of an extraordinary new talent in fiction.
BIO
Uche Okonkwo’s stories have been published in A Public Space, One Story, the Kenyon Review, Ploughshares, The Best American Nonrequired Reading 2019, and Lagos Noir, among others. A former Bernard O’Keefe Scholar at Bread Loaf Writers’ Conference and resident at Art Omi, she is a recipient of the George Bennett Fellowship at Phillips Exeter Academy, a Steinbeck Fellowship, and an Elizabeth George Foundation grant. Okonkwo grew up in Lagos, Nigeria, and is currently pursuing a creative writing PhD at the University of Nebraska-Lincoln
REVIEWS
"This debut short-story collection features 10 stories set in present-day Nigeria, all concerned with madness—both the literal madness of mental illness as well as the unruliness of outsize emotions like envy, shame, and desire." -- Oprah Daily, A Most Anticipated Book of 2024 "Okonkwo has a Chekhovian eye for the tangle of internal motivations and assumptions that steer her characters. . . .Readers will be eager for more of Okonkwo’s artful writing." -- Publishers Weekly, starred review "Surprising, illuminating, and deeply human." -- Booklist "Vivid. . . . In addition to striking a perfect balance between humor and heartbreak, A Kind of Madness shows incredible wiseness on the complexity and at times maddening nature of loving our family, our friends, and our home.” -- Chicago Review of Books, A Best Book of April "Amazingly written characters in unforgettable settings. Okonkwo’s writing is transformative". -- Debutiful, A Best Book of April
[P]  Tin House Books  /  April 16, 2024
0.64" H x 8.52" L x 5.57" W (0.53 lbs) 224 pages

A Kind of Madness: Stories /// Uche Okonkwo /// new

From the award-winning author of High on the Hog—inspiration for the “energetic, emotional, and deeply nuanced” (The New York Times) Netflix series of the same name—comes a new and updated edition of A Kwanzaa Keepsake, another important exploration of African American culture, food, and family, featuring recipes and stories to help this generation create unique holiday traditions.Now with a new introduction by award-winning writer and iconic culinary historian Jessica B. Harris, a foreword by chef and television personality Carla Hall, revised recipes and stories, and a fresh new package, A Kwanzaa Keepsake offers proverbs, ceremonies, family projects, inspirational biographies, blessings, and of course, wonderful recipes. Structured around the seven days of Kwanzaa and the virtues each day represents, Harris shares a themed feast for each night, designed to reflect the principle of the day. Some of the menus include:- Umoja (Unity), featuring dishes of multinational origin such as Seasoned Olives, Mechoui-Style Leg of Lamb with cumin, mint, and chili, and a classic Caribbean rum punch, and reminds readers of the union of all peoples of African descent. - Kujichagulia (Self-Determination), composed of dishes from the African continent including Sweet Potato Fritters, Grilled Pepper Salad, and Piment Aimee, a hot sauce from one of the author’s friends. - Kuumba (Creativity) is a healing supper and communal meal that opens the gates of remembrance through food. The repast is centered around a heritage recipe and includes others for Pickled Black-Eyed Peas, a fish dish from the the Ivory Coast, Spicy Cranberry Chutney, and a killer pecan pie with molasses whipped cream.Interspersed throughout the book are spaces to record family memories, sayings, and recipes. Rich in culinary history, and a source of inspiration for treasuring and recording family traditions both old and new, A Kwanzaa Keepsake is a book to cherish, and one that families will turn to again and again. BIO Dr. Jessica B. Harris holds a PhD from NYU and taught English at Queens College for more than thirty years. She lectures internationally. She is the author of High on the Hog, which inspired the hit 2021 Netflix show of the same name. She is also the author of a memoir, My Soul Looks Back, as well as twelve cookbooks. Her articles have appeared in Vogue, Food & Wine, Essence, and The New Yorker, among other publications. She has made numerous television and radio appearances and has been profiled in The New York Times. Considered one of the preeminent scholars of the food of the African Diaspora, Harris has been inducted into the James Beard Who’s Who in Food and Beverage in America, she received the James Beard Lifetime Achievement Award in 2020, and an Augie Award from the Culinary Institute of America in 2022. She also received an honorary doctorate from Johnson & Wales University and recently helped the Smithsonian Museum of African American History and Culture to conceptualize its cafeteria. [H] Scribner Book Company / November 05, 2024 0.64" H x 9.13" L x 7.38" W (0.53 lbs) 256 pages

A Kwanzaa Keepsake and Cookbook: Celebrating the Holiday with Family, Community, and Tradition /// Dr. Jessica B. Harris /// pre

In this lyrical picture book, world-renowned poet, New York Times bestselling author, and Coretta Scott King Honor winner Nikki Giovanni and fine artist Erin Robinson craft an ode to the magic of a library as a place not only for knowledge but also for imagination, exploration, and escape. In what other place can a child "sail their dreams" and "surf the rainbow" without ever leaving the room? This ode to libraries is a celebration for everyone who loves stories, from seasoned readers to those just learning to love words, and it will have kids and parents alike imagining where their library can take them. This inspiring read-aloud includes stunning illustrations and a note from Nikki Giovanni about the importance of libraries in her own childhood. BIO Nikki Giovanni, poet, activist, mother, and professor, is a seven-time NAACP Image Award winner and the first recipient of the Rosa Parks Woman of Courage Award, and holds the Langston Hughes Medal for Outstanding Poetry, among many other honors. The author of twenty-eight books and a Grammy nominee for The Nikki Giovanni Poetry Collection, she is the University Distinguished Professor of English at Virginia Tech in Blacksburg, Virginia. Erin Robinson is a Fashion Designer by trade but also a trained fine artist from Parsons School of Design and the Corcoran School of Art. Her daydreamy, magical imagination is inspired by travel, color, texture, the feminine shape and the many shades and coifs of Brooklyn. She currently splits her time between New York City and Washington, D.C. Find her at brooklyndolly.com and on Instagram @brooklyndolly. REVIEWS “Powerful.... Playful and inspiring. Every lover of books, young or old, will see themselves in this story.” -- Booklist (starred review) “Vibrant, carefully composed digital illustrations, with bright colors that invite readers in.... A lushly illustrated homage to librarians.” -- Kirkus Reviews “In this picture-book celebration of libraries and reading, poet Giovanni writes about the Carnegie Library, which she regularly visited as a child. Robinson’s digital art resembles vibrant collages.” -- Horn Book Magazine “Poetic text and evocative, textured illustrations work in concert to show how books and libraries enable people to imagine other lives—including other versions of their own selves.... A must-have.” -- School Library Journal [H] Versify / September 27, 2022 0.3" H x 11.1" L x 9.0" W (0.95 lbs) 32 pages

A Library /// Nikki Giovanni, illustrations by Erin K. Robinson

Tyree Daye’s a little bump in the earth is an act of invention and remembrance. Through sprawling poems, the town of Youngsville, North Carolina, where Daye’s family has lived for the last 200 years, is reclaimed as the “Ritual House.” Here, “every cousin aunt uncle ghost” is welcome. Daye invokes real and imagined people, the ancestral dead, land, snakes, and chickens, to create a black town on a hill. Including dreams, letters, revised rental agreements, and “a little museum in the herein-&-after,” where collaged images appear beside documents from Daye’s ancestors—census records, marriage licenses, and WWII Draft Registration cards—the collection asks if the past can be a portal to the future, the present a catalyst for the past. a little bump in the earth explores what it means to love someone, someplace, even as it changes, dies right in front of your eyes. Poem by poem, Daye is honoring the people of Youngsville and “bringing back the dead.” BIO Tyree Daye is a poet from Youngsville, North Carolina. He is the author of two poetry collections, including River Hymns, the 2017 APR/Honickman First Book Prize winner. Daye is a 2017 Ruth Lilly Finalist and Cave Canem fellow. Daye’s work has been published in Prairie Schooner, The New York Times, and Nashville Review. Daye won the 2019 Palm Beach Poetry Festival Langston Hughes Fellowship, 2019 Diana and Simon Raab Writer-In-Residence at UC Santa Barbara and is a 2019 Kate Tufts Finalist. Daye most recently was awarded a 2019 Whiting Award and a 2019 Ragin Rubin Award winner. [P] Copper Canyon Press / April 02, 2024

a little bump in the earth /// Tyree Daye /// new

THIS BOOK IS CURRENTLY OUT OF STOCK. Born in 1923 in Madisonville, Louisiana, Leah Chase would marry into the Chase restaurant family in nearby New Orleans, but that small geographic move would end up taking her worlds away. Today she is a national-award-winning cook and civic figure. This novel, told in the form of letters to God, shares her inspirational journey with middle-grade readers. BIO Carol Allen was born in Elton, Louisiana, part of Cajun country. As a young girl, she traveled across the state with her father and became fascinated with the richness of Louisiana culture and her own unique heritage. In 1968, she began teaching at Oakdale High School, where she experienced the switch to the integrated school system. Soon after, she became an elementary-school principal and completed her doctorate at the University of Nebraska-Lincoln. After a year as an assistant professor at the University of South Carolina, she returned home to become the superintendent of curriculum and instruction for New Orleans Public Schools. In 1985, Allen married a Frenchman and moved to France. There, she volunteered for various service organizations, served on boards for international schools, and worked for an educational institute in Paris that was affiliated with the American College in Paris. Allen helped plan and direct an international conference designed to address the needs and interests of expatriate women. The conference, organized and conducted entirely by volunteers, attracted four hundred conferees representing nineteen different nationalities from twenty-one different countries of residence. She went on to create the Paris Writers Workshop, now an internationally respected program that allows aspiring writers to develop their talents. Allen has written articles for the Writer's Chronicle, Washington Post, Epicurean Magazine, and the New Orleans Times-Picayune. Allen compiled and edited They Only Laughed Later: Tales of Women on the Move, a book of humorous essays written by women about their experiences living abroad. In 1996, she received honorable mention from Writer’s Market for a self-published book in the children's-literary category. She has been a guest lecturer at the Geneva Writers' Conference and is a motivational speaker for the European Speakers Bureau. Allen has been close friends with Leah Chase, the subject of her biography, Leah Chase: Listen, I Say Like This, for more than twenty years. For the book, she spent hours with Chase herself, in the woman's kitchen, reminiscing her own Louisiana childhood and the diverse background and joie de vivre that both the author and her subject share. In addition to writing, Allen loves to cook. Much to the surprise of her French neighbors, she garnered the grand prize in what is known as Les Journées Gourmandes in the region of the Vaucluse, Provence, where she lives most of the time. Her winning recipes were for jams and jellies in 1995 and for Wild-Mushroom Soup in 2001. [P] Pelican Publishing Company / August 24, 2020 0.6" H x 8.4" L x 5.4" W (0.65 lbs) 160 pages

THIS BOOK IS CURRENTLY OUT OF STOCK.
<meta charset="utf-8">Born in 1923 in Madisonville, Louisiana, Leah Chase would marry into the Chase restaurant family in nearby New Orleans, but that small geographic move would end up taking her worlds away. Today she is a national-award-winning cook and civic figure. This novel, told in the form of letters to God, shares her inspirational journey with middle-grade readers.
BIO
<meta charset="utf-8">Carol Allen was born in Elton, Louisiana, part of Cajun country. As a young girl, she traveled across the state with her father and became fascinated with the richness of Louisiana culture and her own unique heritage. In 1968, she began teaching at Oakdale High School, where she experienced the switch to the integrated school system. Soon after, she became an elementary-school principal and completed her doctorate at the University of Nebraska-Lincoln. After a year as an assistant professor at the University of South Carolina, she returned home to become the superintendent of curriculum and instruction for New Orleans Public Schools. In 1985, Allen married a Frenchman and moved to France. There, she volunteered for various service organizations, served on boards for international schools, and worked for an educational institute in Paris that was affiliated with the American College in Paris. Allen helped plan and direct an international conference designed to address the needs and interests of expatriate women. The conference, organized and conducted entirely by volunteers, attracted four hundred conferees representing nineteen different nationalities from twenty-one different countries of residence. She went on to create the Paris Writers Workshop, now an internationally respected program that allows aspiring writers to develop their talents. Allen has written articles for the Writer's Chronicle, Washington Post, Epicurean Magazine, and the New Orleans Times-Picayune. Allen compiled and edited They Only Laughed Later: Tales of Women on the Move, a book of humorous essays written by women about their experiences living abroad. In 1996, she received honorable mention from Writer’s Market for a self-published book in the children's-literary category. She has been a guest lecturer at the Geneva Writers' Conference and is a motivational speaker for the European Speakers Bureau. Allen has been close friends with Leah Chase, the subject of her biography, Leah Chase: Listen, I Say Like This, for more than twenty years. For the book, she spent hours with Chase herself, in the woman's kitchen, reminiscing her own Louisiana childhood and the diverse background and joie de vivre that both the author and her subject share. In addition to writing, Allen loves to cook. Much to the surprise of her French neighbors, she garnered the grand prize in what is known as Les Journées Gourmandes in the region of the Vaucluse, Provence, where she lives most of the time. Her winning recipes were for jams and jellies in 1995 and for Wild-Mushroom Soup in 2001.
[P]  Pelican Publishing Company  /  <meta charset="utf-8">August 24, 2020
<meta charset="utf-8">0.6" H x 8.4" L x 5.4" W (0.65 lbs) 160 pages

A Long Way from the Strawberry Patch: The Life of Leah Chase /// Carol Allen with Leah Chase

Leap years are a strange, enchanted time. And for some, even a single February can be life-changing.Ricki Wilde has many talents, but being a Wilde isn’t one of them. As the impulsive, artistic daughter of a powerful Atlanta dynasty, she’s the opposite of her famous socialite sisters. Where they’re long-stemmed roses, she’s a dandelion: an adorable bloom that’s actually a weed, born to float wherever the wind blows. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her.When regal nonagenarian, Ms. Della, invites her to rent the bottom floor of her Harlem brownstone, Ricki jumps at the chance for a fresh beginning. She leaves behind her family, wealth, and chaotic romantic decisions to realize her dream of opening a flower shop. And just beneath the surface of her new neighborhood, the music, stories and dazzling drama of the Harlem Renaissance still simmers.One evening in February as the heady, curiously off-season scent of night-blooming jasmine fills the air, Ricki encounters a handsome, deeply mysterious stranger who knocks her world off balance in the most unexpected way. Set against the backdrop of modern Harlem and Renaissance glamour, A Love Song for Ricki Wilde is a swoon-worthy love story of two passionate artists drawn to the magic, romance, and opportunity of New York, and whose lives are uniquely and irreversibly linked. BIO Tia Williams is an American novelist and editor. She has published six books and is best known for The Accidental Diva, The Perfect Find, and Seven Days in June. She is also a long-time fashion editor and the current editorial director for the Estée Lauder Companies. REVIEWS If this cover doesn’t raise your temperature a few degrees, the story will. Grab a fan before reading this one, because it really heats up.” -- Good Housekeeping A hugely satisfying romance that is electrifying and alive. -- KirkusWhat’s on its face is a delightfully steamy read is a story layered with nuance that gracefully examines thornier topics of parenting in the modern age, life with chronic pain, and Black identity. Through it all, Williams’ clever and witty writing will leave you clamoring to be part of Mercy’s world. -- Reader's DigestThrough this gripping love story, Williams reckons with family histories and shows the power in rewriting our origin stories. Readers will feel as attached to these characters as Eva and Shane are to each other. -- BookPageWilliams doesn’t shy away from the darker aspects of human experience, and her characters are fully formed and believable as a result. This is a winning romance. -- Publishers WeeklyWilliams proves once again that there is much more to romance novels than meet-cutes and other reliable tropes. -- BooklistWith funny, snappy writing and a strong eye for detail, Williams builds a compelling, glamorous Black literary world for the protagonists to inhabit. The book balances a second-chance romance with themes of motherhood, childhood trauma, and life with chronic pain. -- Library JournalWilliams’ writing is zippy and fun to read, but her characters are also complicated individuals, making their love feel authentic. -- The Week [H] Grand Central Publishing / February 06, 2024 1.06" H x 9.14" L x 6.33" W (1.2 lbs) 352 pages

Leap years are a strange, enchanted time. And for some, even a single February can be life-changing. Ricki Wilde has many talents, but being a Wilde isn’t one of them. As the impulsive, artistic daughter of a powerful Atlanta dynasty, she’s the opposite of her famous socialite sisters. Where they’re long-stemmed roses, she’s a dandelion: an adorable bloom that’s actually a weed, born to float wherever the wind blows. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her. When regal nonagenarian, Ms. Della, invites her to rent the bottom floor of her Harlem brownstone, Ricki jumps at the chance for a fresh beginning. She leaves behind her family, wealth, and chaotic romantic decisions to realize her dream of opening a flower shop. And just beneath the surface of her new neighborhood, the music, stories and dazzling drama of the Harlem Renaissance still simmers. One evening in February as the heady, curiously off-season scent of night-blooming jasmine fills the air, Ricki encounters a handsome, deeply mysterious stranger who knocks her world off balance in the most unexpected way.   Set against the backdrop of modern Harlem and Renaissance glamour, A Love Song for Ricki Wilde is a swoon-worthy love story of two passionate artists drawn to the magic, romance, and opportunity of New York, and whose lives are uniquely and irreversibly linked.  
BIO
Tia Williams is an American novelist and editor. She has published six books and is best known for The Accidental Diva, The Perfect Find, and Seven Days in June. She is also a long-time fashion editor and the current editorial director for the Estée Lauder Companies.
REVIEWS
If this cover doesn’t raise your temperature a few degrees, the story will. Grab a fan before reading this one, because it really heats up.” -- Good Housekeeping 
A hugely satisfying romance that is electrifying and alive. -- Kirkus What’s on its face is a delightfully steamy read is a story layered with nuance that gracefully examines thornier topics of parenting in the modern age, life with chronic pain, and Black identity. Through it all, Williams’ clever and witty writing will leave you clamoring to be part of Mercy’s world. -- Reader's Digest Through this gripping love story, Williams reckons with family histories and shows the power in rewriting our origin stories. Readers will feel as attached to these characters as Eva and Shane are to each other. -- BookPage Williams doesn’t shy away from the darker aspects of human experience, and her characters are fully formed and believable as a result. This is a winning romance. -- Publishers Weekly Williams proves once again that there is much more to romance novels than meet-cutes and other reliable tropes. -- Booklist With funny, snappy writing and a strong eye for detail, Williams builds a compelling, glamorous Black literary world for the protagonists to inhabit. The book balances a second-chance romance with themes of motherhood, childhood trauma, and life with chronic pain.   -- Library Journal Williams’ writing is zippy and fun to read, but her characters are also complicated individuals, making their love feel authentic. -- The Week
[H]  Grand Central Publishing  /  February 06, 2024
1.06" H x 9.14" L x 6.33" W (1.2 lbs) 352 pages

A Love Song for Ricki Wilde: A Novel /// Tia Williams

NATIONAL BESTSELLER • In “one of Morrison’s most haunting works” (The New York Times), the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter—a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.One of the New York Times’s 100 Best Books of the 21st CenturyIn the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives. BIO Toni Morrison is the author of eleven novels, from The Bluest Eye (1970) to God Help the Child (2015). She received the National Book Critics Circle Award, the Pulitzer Prize, and in 1993 she was awarded the Nobel Prize in Literature. She died in 2019. REVIEWS A NEW YORK TIMES BOOK REVIEW BEST BOOK OF THE YEAR “Spellbinding. . . . Dazzling. . . . [A Mercy] stands alongside Beloved as a unique triumph.” -- The Washington Post Book World “A Mercy conjures up the beautiful, untamed, lawless world that was America in the seventeenth-century with the same sort of lyrical, verdant prose that distinguished [Beloved]. . . . A heartbreaking account of lost innocence and fractured dreams. . . . One of Morrison's most haunting works yet.” -- Michiko Kakutani, The New York Times “Luminous and complex. . . . Some of Morrison's best writing in years.” -- Time “Magnificent . . . As with all Morrison’s finest work, A Mercy compellingly combines immediacy and obliquity. Its evocation of pioneer existence in America surrounds you with sensuous intensity. . . . An attack by a bear is described with thrilling power. . . . Idioms have potent directness, too. . . . Rich knowledgeability about 17th-century America is put to telling effect. Voices speak to you as if you were there. . . . The book keeps you vividly aware of the vital human individuality that racism’s crude categorizations are brutally trying to iron out. . . . A stark story of the evils of possessiveness and the perils of dispossession emerges slantwise. Hints, suspicions, secrets, ambivalences, scarcely acknowledged motives and barely noticeable nuances serve as signposts to enormities and desperations: around slavery’s large-scale uprootings, Morrison spotlights individual instances of loss (orphans and outcasts are, as often in her fiction, much in evidence; compensatory alliances they form are warmly portrayed). A Mercy is so enthralling that you’ll want to read it more than once. On each occasion, it further reveals itself as a masterpiece of rewarding complexity.” -- Peter Kemp, The Sunday Times (London) “In [A Mercy,] a mother chooses to give her daughter to a stranger, the man who will ‘own’ her, in hopes that she’ll find a better life. It is this act from which the book derives its title, but it is, of course, an ambivalent gesture whose tragic resonance will be slowly unveiled. . . . Morrison here is seeking some deeper truth about what she once called ‘the presence of the unfree within the heart of the democratic experiment.’ Some regard this novel as a kind of prelude to Beloved, but the author has even more provocative ideas at play. . . . In writing about the horror of slavery, she finds a kind of ragged hope.” -- Renée Graham, Boston Sunday Globe “[A Mercy] examines slavery through the prism of power, not race. Morrison achieves this by setting A Mercy in 1680s America, when slavery was a color-blind, equal-opportunity state of misery, not yet the rigid, peculiar institution it would become. . . . Morrison doesn’t write traditional novels so much as create a hypnotic state of poetic intoxication. You don’t read A Mercy, you fall into a miasma of language and symbolism. [It] offers an original vision of America in its primeval state, where freedom was a rare commodity.” -- Deirdre Donahue, USA Today “[Toni Morrison] bound[s] into literature with her new book as if it were the first time, with the spry energy of a doe. A Mercy . . . is that beguiling and beautiful, that deftly condensed, that sinewy with imaginative sentences, lyric flight and abundant human sensitivity. . . . Finely hammered phrases repeatedly come off the anvil, forming a story as powerful as the many she has shaped before. Elements of this writer’s art from way back remain part of her achievement here. Like a mighty telescope perched on a contemporary plateau, Morrison draws in signals, moods, torments, exhilarations from African American life and history . . . Morrison mixes the verbal music of an era with idiosyncratic wisdom, delivered indirectly rather than ex cathedra, recalling omniscient Russian masters without imitating them. . . . Along the way come moments whose artistry freezes one’s page-turning. Morrison’s tactile reports rivet . . . What’s the opposite of ‘lazy’ in a fiction writer’s style and research? Industrious? Indefatigable? Morrison wears her knowledge lightly, yet every page exhibits her control of [the 17th century’s] objects and artifacts, its worries and dangers. She surrounds A Mercy’s more fanciful arabesques with a broad border of realism. . . . A book as masterfully wrought as A Mercy behooves its author to swagger. Go to it, Ms. Morrison.” -- Carlin Romano, The Philadelphia Inquirer “A grand tragedy writ in miniature . . . Women, men, Africans, Native Americans, whites, masters, slaves–all are cast into the hard world that is the New World in Toni Morrison’s lustrous new novel. In the same way, the Nobel Prize winner casts us into her hypnotic, many-voiced narrative set in the 17th century in a nation yet unformed. . . . We’re beguiled from the opening sentence: ‘Don’t be afraid.’ The speaker is Florens, black, barely out of childhood, a slave but literate, whose eager-to-please ways and lyrical language endear her to us and to the Virginia household of Jacob Vaark. . . . The subject of [A Mercy] is slavery, and [Morrison] brings to it, along with some of her most haunting language, elements of history and mythos. . . . A Mercy is kindled by characters who are complex and vulnerable, full of what she describes in Beloved as ‘awful human power.’ . . . This novel’s release coincides with the presidential election of Barack Obama, a shining moment in our country’s history of which Morrison’s characters can barely dream.” -- Ellen Kanner, The Miami Herald “Themes of slavery and grief, of women’s struggles to escape the bitterness of the captive world, are at the center of Morrison’s work. They also lie at the heart of her new novel, A Mercy, which looks to history [as in Beloved]–in this case, the 1680s and 1690s–to explore the agonies of slavery among the settlers of the New World. Such a description makes Morrison’s novel sound far too pat, however; it slights the poetry and breadth of her work. Yes, A Mercy is about slavery, but in the most universal sense, meaning the limits we place on ourselves as well as the confinements we suffer at the hands of others. . . . [It is] a work of poetry and intelligence, and a continuation of what John Updike has called [Morrison’s] ‘noble and necessary fictional project of exposing the infamies of slavery and the hardships of being African American.’ The story assumes even greater metaphorical power at this particular moment, with the election of Barack Obama as our first African American president.” --Judith Freeman, Los Angeles Times Book Review [H] Knopf Publishing Group / November 11, 2008 0.88" H x 9.56" L x 5.88" W (0.85 lbs) 176 pages [P] Vintage / August 11, 2009 0.7" H x 7.9" L x 5.2" W (0.46 lbs) 208 pages

A Mercy: A Novel /// Toni Morrison

Through images and texts both historical and contemporary, this book looks at the Great Migration and its profound and ongoing impactThis thoughtful interweaving of text and imagery presents a variety of perspectives on the Great Migration (1915–70), the mass exodus and dispersion of millions of African Americans out of the South. Through archival photography, newspaper clippings, maps, journal articles, book excerpts, and ephemera such as family recipes, the book immerses readers in Black history, the Great Migration, and its legacy. The book includes texts by authors ranging from W. E. B. Du Bois and Jean Toomer to Toni Tipton-Martin and culminates in a candid roundtable discussion about familial migration stories among some of the most respected Black artists, writers, and scholars working today: Theaster Gates, Kiese Laymon, Carrie Mae Weems, and others. The material is presented in three unique, thematic sections that explore the Great Migration’s impact on the American city, Black Southern foodways, and cultural expression. Taken as a whole, this important volume provides powerful testimony to the systemic challenges such as social segregation, racism, and discrimination that Black communities have faced from the post-Emancipation period to the present moment. BIO Jessica Bell Brown is curator and department head of contemporary art at the Baltimore Museum of Art. Ryan N. Dennis is chief curator and artistic director of the Center for Art & Public Exchange at the Mississippi Museum of Art. [H] Yale University Press / June 21, 2022 ﻿1.5" H x 10.5" L x 8.2" W (3.45 lbs) 320 pages

A Movement in Every Direction: A Great Migration Critical Reader /// edited by Jessica Bell Brown and Ryan N. Dennis

An intimate and searching account of the life and legacy of one of America’s towering educators, a woman who dared to center the progress of Black women and girls in the larger struggle for political and social liberationWhen Mary McLeod Bethune died, tributes in newspapers around the country said the same thing: she should be on the Mount Rushmore of Black American achievement. Indeed, Bethune is the only Black American whose statue stands in Statuary Hall in the US Capitol, and yet for most, she remains a marble figure from the dim past. Now, seventy years later, Noliwe Rooks turns Bethune from stone to flesh, showing her to have been a visionary leader with lessons to still teach us as we continue on our journey toward a freer and more just nation.Any serious effort to understand how the Black civil rights generation found role models, vision, and inspiration during their midcentury struggle for political power must place Bethune at its heart. Her success was unlikely: the fifteenth of seventeen children and the first born into freedom, Bethune survived brutal poverty and caste subordination to become the first in her family to learn how to read and to attend college. She gave that same gift to others when in 1904, at age twenty-nine, Bethune welcomed her first class of five girls to the Daytona, Florida, school she had founded and which would become the university that bears her name to this day. Bethune saw education as an essential dimension of the larger struggle for freedom, vitally connected to the vote and to economic self-sufficiency, and she enlisted Eleanor Roosevelt, Harry Truman, Franklin D. Roosevelt, and many other powerful leaders in her cause.Rooks grew up in Florida, in Bethune’s shadow: her grandmother trained to be a teacher at Bethune-Cookman University, and her family vacationed at the all-Black beach that Bethune helped found in one of her many community empowerment projects. The story of how Bethune succeeded in a state with some of the highest lynching rates in the country is, in Rooks’s hands, a moving and astonishing example of the power of a mind and a vision that had few equals. Now, when the stakes of the long struggle for full Black equality in this country are particularly evident—and centered on the state of Florida—it is a gift to have this brilliant and lyrical reckoning with Bethune’s journey from one of our own great educators and scholars of that same struggle. BIO Noliwe Rooks is the chair of and a professor in Africana Studies at Brown University. Her work explores how race and gender both impact and are impacted by popular culture, social history, and political life in the United States. The author of four books and numerous articles, essays, and op-eds, Rooks has received research funding from the Ford Foundation, the Mellon Foundation, and the Woodrow Wilson School of Public and International Affairs, among others. She lectures frequently at colleges and universities around the country and is a regular contributor to popular outlets such as The New York Times, The Washington Post, The Chronicle of Higher Education, Time, and NPR. REVIEWS “Rooks restores [Mary McLeod Bethune] to the canon of fierce Black freedom fighters. . . . Rooks’ redefining biography is essential reading.” -- Booklist (starred review)“A layered portrait of a roving mind that pushed constantly against bounded systems. . . . A rewarding window onto the nuanced political thinking of the early civil rights movement.” -- Publishers Weekly (starred review)“Pays tribute to a beloved foremother and celebrates Bethune’s commitment to ‘stand up and fight for change.’ A fine introduction to Bethune’s philosophy, as well as a thoughtful primer for today’s activists.” -- Kirkus“Professor Noliwe Rooks draws on her command of historical events, her lived experiences as a Black woman, and her gift as a storyteller to give us this priceless written portrait of the life, the work, and the legacy of an American shero, Dr. Mary McLeod Bethune.” -- Johnnetta Betsch Cole, seventh president and chair of the board of the NCNW, president emerita of Spelman and Bennett colleges“In reflecting on Mary McLeod Bethune’s life and on her own, Noliwe Rooks offers a tribute to an inspiring leader and a meditation on race and history.” -- Drew Faust, Arthur Kingsley Porter University Research Professor, Harvard University “Noliwe Rooks’s exceptional storytelling and impeccable research skills elevate this book to the pinnacle of works about Mary McLeod Bethune. It transcends historical narrative; it challenges us to reevaluate our understanding of Bethune’s contributions and the lessons they offer us now. Interwoven with the story of Bethune’s indomitable spirit for advancing Black life is Rooks’s own family history, rooted in Florida like Bethune and shaped by her legacy. Learning about Bethune through Rooks’s lens is both a privilege and an honor for educators and readers alike.” -- Bettina L. Love, William F. Russell Professor, Teachers College, Columbia University, and author of Punished for Dreaming: How School Reform Harms Black Children and How We Heal“In the skillful hands of Noliwe Rooks, this remarkable life story of a crucial figure in American history becomes something more: a mesmerizing personal meditation on racial justice, political power, and the yearning for a home.” -- Paul Tough, author of The Inequality Machine and How Children Succeed [H] Penguin Press / July 23, 2024 0.79" H x 8.49" L x 5.88" W (0.72 lbs) 208 pages

A Passionate Mind in Relentless Pursuit: The Vision of Mary McLeod Bethune /// Noliwe Rooks, edited by Henry Lewis Gates /// new

Femi and her friends planned to leave traditional Caribbean treats out for Santa, including Black Cake. The children shared warm wishes for their favorite dishes while enjoying winter activities at the Christmas fair. This book includes a Black Cake recipe for all to enjoy! BIO Yolanda T. Marshall is a Guyanese-born Canadian Author. The daughter of a Jazz musician, she began writing poems at eight. A cross-genre writer, world traveller, jazz lover and devoted mother, she embodies art and takes her readers on adventurous, cultured journeys. This author is Agented. Titles since 2020 have been traditionally published in Canada. She is also a proud member of CANSCAIP (Canadian Society of Children's Authors, Illustrators and Performers) and The Writer's Union of Canada. [H] Garnalma Press / November 18, 2019 0.25" H x 8.5" L x 11.0" W (0.89 lbs) 32 pages

A Piece of Black Cake for Santa /// Yolanda T. Marshall, illustrations by Subi Bosa

By the time of her death, at the tragically young age of thirty-four, Lorraine Hansberry had created two electrifying masterpieces of the American theater. With A Raisin in the Sun, Hansberry gave this country its most movingly authentic portrayal of black family life in the inner city. Barely five years later, with The Sign in Sidney Brustein’s Window, Hansberry gave us an unforgettable portrait of a man struggling with his individual fate in an age of racial and social injustice. These two plays remain milestones in the American theater, remarkable not only for their historical value but for their continued ability to engage the imagination and the heart.With an Introduction by Robert Nemiroff BIO Lorraine Hansberry (1930-1965) electrified the theatrical world with her first play, A Raisin in the Sun, which won the New York Critics Circle Award for the 1958-59 season. Before her tragic death from cancer at the age of 34, she had already produced a remarkable body of work, including The Sign in Sidney Brustein’s Window and Les Blancs. Her former husband and literary executor, the late Robert Nemiroff, posthumously produced and published her To Be Young, Gifted and Black and the musical Raisin. REVIEWS "Rich and warm and funny and varied … beautifully written." -– Los Angeles Times, on The Sign in Sidney Brustein’s Window"One of a handful of great American plays — it belongs in the inner circle, along with Death of a Salesman, Long Day’s Journey Into Night and The Glass Menagerie." -– Washington Post, on A Raisin in the Sun [P] Vintage / June 13, 1995 0.9" H x 7.9" L x 5.1" W (0.6 lbs) 368 pages

A Raisin in the Sun and The Sign in Sidney Brustein's Window /// Lorraine Hansberry

An innovative memoir—composed of poems, prose, and photographs—that engages with the Afro-Caribbean diaspora, cultural identity, music, and masculinity, by a poetry legend. Blending poetry and prose, music, and genealogy, Jive Poetic’s Skip Tracer is a memoir structured as a “hybrid sound system” (complete with “records,” “tracks,” “decks,” and “channels”), expertly curated to convey the complexity of Blackness in the Americas. In this ancestral and cultural excavation, Jive conducts archival and oral-history research into his family’s connections to Jamaica, Panama, Brazil, and Cuba to explore the impact of culture, environment, and family on first- and second-generation Black Americans in the United States. He also traces the profound influence that hip-hop, soul, R&B, reggae, and other popular musical genres have had on him—all the while performing a dynamic re-creation of his legendary onstage persona on the page. A raw and affecting indictment of police violence and racism in the United States, Skip Tracer is also a searingly honest exploration of personal identity, power, and privilege—all expressed in the unmistakable language, rhythm, and style that characterizes Jive’s live performances. BIO Jive Poetic is a writer, organizer, DJ, and educator based in Brooklyn, New York. He is founder of Insurgent Poets Society and Carnival Slam: Cultural Exchange and is the cofounder of Brooklyn Poetry Slam. REVIEWS "A Brooklyn-based writer and DJ intermingles hip-hop-inflected sensibilities with different media forms to create a “printed mixtape” of his life... The author’s genre-bending fearlessness and the compelling way he expresses his quest for identity and wholeness through words, images, and music make for a one-of-a-kind read. An emotionally rich and complex work." -- Kirkus Reviews "Jive Poetic blends and bends genres of literature and music into odes to family and community. Multiple rhythms and algorithms, several crates of records, a little Nintendo, some reel-to-reel, some bell hooks, and various portraits live in his pages. All the time-traveling properties of music and all the time-stopping properties of memoir are alive in Skip Tracer." -- Terrance Hayes, author of American Sonnets for My Past and Future Assassin "Jive Poetic is a trifurcated genius. One part warrior poet, one part world-building DJ, one part...Brooklyn. An anthropologist of his own skin and blood and history. And if this work is evidence and artifact of what he's been searching for, then we readers are the fortunate beneficiaries of his findings. He has delivered to us bone and word, rice and rhythm. He has given us gold." -- Jason Reynolds, author of Long Way Down "Finally, we get to hear from the poet and educator who has lit fires under hundreds of young poets. Jive Poetic mixes history, family, and social commentary to bless us with a one-of-a-kind cross-genre collection." -- Nicole Sealey, author of The Ferguson Report: An Erasure [P] Liveright Publishing Corporation / July 23, 2024 0.7" H x 8.2" L x 5.9" W (0.44 lbs) 160 pages

Skip Tracer /// Jive Poetic /// new

-- This title will ship on or after August 06, 2024 -- A diverse group of New Yorkers are brought together by the search for a missing woman—in this electric novel of secrets, connection, and community.“Riveting . . . mines the delicate and treacherous terrain in which human relationships and social divisions are rooted.”—Charmaine Wilkerson, New York Times bestselling author of Black CakeBrooklyn, 2020. Theo Harper and his pregnant wife, Darla, head upstate to their summer cottage to wait out the lockdown. Not everyone in their upscale Park Slope building has this privilege: not Xavier, the teenager in the Cardi B T-shirt, nor Darla’s best friend, Ruby, and her partner, Katsumi, who stay behind to save their Michelin-starred restaurant.During an upstate hike on the aptly named Devil’s Path, Theo divulges a long-held secret—and when Darla disappears after the ensuing argument, he finds himself the prime suspect. As Darla’s and Theo’s families and friends come together to search for her, with Ruby and Katsumi stepping in to broker peace, past and present collide with startling consequences.Set against the pulse of an ever-changing city, The Rich People Have Gone Away connects the lives of ordinary New Yorkers to tell a powerful story of hope, love, and inequity in our times—while reminding us that no one leaves the past behind completely. BIO Regina Porter is an award-winning playwright and author of The Travelers, a finalist for the PEN/Hemingway Award for Debut Novel and longlisted for the Orwell Prize for political fiction. A graduate of the MFA fiction program at the Iowa Writers’ Workshop, her writing has been published in the Harvard Review, Tin House, and the Oxford American. REVIEWS “Regina Porter weaves beauty and humor with pathos, in prose that is winding, prescient, and profound. She shows us worlds inside of worlds—of queerness, of love and relationships, of who we are and who we’re told to be—crafting a narrative that is both precise and thunderous. The Rich People Have Gone Away moves and transcends. We’re so lucky to have it.” -- Bryan Washington, author of Family Meal“A masterpiece of human portraiture that simultaneously renders quintessential depictions of the city, of America, and of the whole world in these first fraught decades of the twenty-first century.” -- Paul Harding, author of This Other Eden“Riveting . . . The Rich People Have Gone Away mines the delicate and treacherous terrain in which human relationships and social divisions are rooted.” -- Charmaine Wilkerson, author of Black Cake“With its exquisitely drawn characters, scenes that jump off the page, and international locales that’ll make you want to pack a bag and go, The Rich People Have Gone Away is a novel that fearlessly defies conventions. Regina Porter has crafted an inventive, hilarious, and wholly unpredictable work full of vibrant prose and genuine tenderness.” -- Mateo Askaripour, author of Black Buck“Regina Porter’s wit and astute eye for detail made me want to both underline and inhale every line in one breath. . . . An immersive examination of the human condition in the face of tragedy and triumph.” -- Zakiya Dalila Harris, author of The Other Black Girl [H] Hogarth Press / August 06, 2024 1.25 lbs 352 pages

-- This title will ship on or after August 06, 2024 -- 
<meta charset="utf-8">A diverse group of New Yorkers are brought together by the search for a missing woman—in this electric novel of secrets, connection, and community. “Riveting . . . mines the delicate and treacherous terrain in which human relationships and social divisions are rooted.”—Charmaine Wilkerson, New York Times bestselling author of Black Cake Brooklyn, 2020. Theo Harper and his pregnant wife, Darla, head upstate to their summer cottage to wait out the lockdown. Not everyone in their upscale Park Slope building has this privilege: not Xavier, the teenager in the Cardi B T-shirt, nor Darla’s best friend, Ruby, and her partner, Katsumi, who stay behind to save their Michelin-starred restaurant. During an upstate hike on the aptly named Devil’s Path, Theo divulges a long-held secret—and when Darla disappears after the ensuing argument, he finds himself the prime suspect. As Darla’s and Theo’s families and friends come together to search for her, with Ruby and Katsumi stepping in to broker peace, past and present collide with startling consequences. Set against the pulse of an ever-changing city, The Rich People Have Gone Away connects the lives of ordinary New Yorkers to tell a powerful story of hope, love, and inequity in our times—while reminding us that no one leaves the past behind completely.
BIO
<meta charset="utf-8">Regina Porter is an award-winning playwright and author of The Travelers, a finalist for the PEN/Hemingway Award for Debut Novel and longlisted for the Orwell Prize for political fiction. A graduate of the MFA fiction program at the Iowa Writers’ Workshop, her writing has been published in the Harvard Review, Tin House, and the Oxford American.
REVIEWS
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<div class="slot product-listen show">“Regina Porter weaves beauty and humor with pathos, in prose that is winding, prescient, and profound. She shows us worlds inside of worlds—of queerness, of love and relationships, of who we are and who we’re told to be—crafting a narrative that is both precise and thunderous. The Rich People Have Gone Away moves and transcends. We’re so lucky to have it.” -- Bryan Washington, author of Family Meal “A masterpiece of human portraiture that simultaneously renders quintessential depictions of the city, of America, and of the whole world in these first fraught decades of the twenty-first century.” -- Paul Harding, author of This Other Eden “Riveting . . . The Rich People Have Gone Away mines the delicate and treacherous terrain in which human relationships and social divisions are rooted.” -- Charmaine Wilkerson, author of Black Cake “With its exquisitely drawn characters, scenes that jump off the page, and international locales that’ll make you want to pack a bag and go, The Rich People Have Gone Away is a novel that fearlessly defies conventions. Regina Porter has crafted an inventive, hilarious, and wholly unpredictable work full of vibrant prose and genuine tenderness.” -- Mateo Askaripour, author of Black Buck “Regina Porter’s wit and astute eye for detail made me want to both underline and inhale every line in one breath. . . . An immersive examination of the human condition in the face of tragedy and triumph.” -- Zakiya Dalila Harris, author of The Other Black Girl
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[H]  Hogarth Press  /  August 06, 2024
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<div class="slot product-listen show">1.25 lbs 352 pages</div>
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The Rich People Have Gone Away: A Novel /// Regina Porter /// pre

It's spooky season! Award-winning creators Frank Morrison and Connie Schofield-Morrison celebrate Halloween with their delightful series.It's October, and that means it's time to carve pumpkins, hang up spooky decorations, and host a big ghosty dance party!This girl hears the spooky spirit howling in the windy, misty gloom--SWOOM, SWOOP, SWOOSH! She dances with other ghouls and goblins--MONSTER MASH! She trades candy with her new spooky friend--CRACKLE CRUNCH!Halloween may only be one night, but she knows the spooky spirit will be back next year.In this exciting addition to the series including I Got the Rhythm, I Got the Christmas Spirit, and I Got the School Spirit, readers can explore the traditions of another fun holiday! BIO Connie Schofield-Morrison captured the rhythm of the neighborhood in her first picture book, I Got the Rhythm, and again in I Got the Christmas Spirit and I Got the School Spirit. She is also the author of the picture book biography Stitch by Stitch: Elizabeth Hobbs Keckly Sews Her Way to Freedom. Connie has been writing since she was a young girl and is inspired every day by the big sounds and bright colors of the world around her. She lives in Atlanta, Georgia. Frank Morrison is a renowned fine artist whose work was featured in Our Children Can Soar. He has lent his talents to many picture books, including Alex Rodriguez's Out of the Ballpark, Queen Latifah's Queen of the Scene, and Brenda Roberts' Jazzy Miz Mozetta, for which he won the Coretta Scott King/John Steptoe Award for New Talent. He lives in Georgia. [H] Bloomsbury Publishing PLC / July 23, 2024 0.4" H x 11.25" L x 8.75" W (0.99 lbs) 32 pages

I Got the Spooky Spirit /// Connie Schofield-Morrison, illustrations by Frank Morrison /// new

New York Times bestselling author J. Elle continues her magical middle grade series with our favorite witches from Park Row Magick Academy!In the world between realms, anything can happen . . .The new Park Row Magic Academy construction is underway, and Kyana is searching for magic activities to fill the school break. When she visits the building for supplies, she's grabbed by an Available spirit! Even though she's able to slip its grasp, something is wrong-she can't stop crying and laughing uncontrollably. Is she cursed?Then Ashley shares an invitation to a camp for magical learning. Ash thinks that whatever curse is messing with Kyana, Dr. Minzy, a famous teacher there, will know how to fix it.But once they reach the secret camp site, the magical portal suddenly collapses-they're trapped! Ash is almost sure Availables are involved. With the camp in chaos, Kyana still under the mysterious curse, and Russ broadcasting everything to the MagickNet, Ashley must choose: Say something about what she suspects, or mind her business and trust Dr. Minzy? Are the Availables up to something nefarious, and can Kyana, Ashley, and Russ figure out what's going on and save them all?In this adventurous sequel to A Taste of Magic, the young city wizards must navigate a mystery in the wilderness, decide how to speak up, and be the heroes they need. BIO J. Elle is the New York Times bestselling author of young adult novels Wings of Ebony and Ashes of Gold; and the middle-grade novel, A Taste of Magic. She is a 2022 NAACP Image Award Nominee for Outstanding Literary Work for Youth and Teens whose work is being translated into six languages in over fifteen countries. The former educator credits her nomadic lifestyle and humble inner-city beginnings as inspiration for her novels. When she’s not writing, Elle can be found on the hunt for desserts without chocolate, looking for any excuse to get dressed up, and road-tripping her way across the country with her two dogs in tow. REVIEWS "Immerses readers in a richly whimsical magical world . . . A heartfelt follow-up, perfect for readers in need of a bit of courage.” -- Kirkus Reviews [H] Bloomsbury Publishing PLC / July 09, 2024 1.02" H x 8.5" L x 5.77" W (0.86 lbs) 304 pages For ages 8 to 11

A Whisper of Curses /// J. Elle /// new

The White Guy Dies First includes thirteen scary stories by all-star contributors and this time, the white guy dies first.Killer clowns, a hungry hedge maze, and rich kids who got bored. Friendly cannibals, impossible slashers, and the dead who don’t stay dead....A museum curator who despises “diasporic inaccuracies.” A sweet girl and her diary of happy thoughts. An old house that just wants friends forever.... These stories are filled with ancient terrors and modern villains, but go ahead, go into the basement, step onto the old plantation, and open the magician’s mystery box because this time, the white guy dies first.Edited by Terry J. Benton-Walker, including stories from bestselling, award-winning, and up-and-coming contributors: Adiba Jaigirdar, Alexis Henderson, Chloe Gong, Faridah Àbíké-Íyímídé, H. E. Edgmon, Kalynn Bayron, Karen Strong, Kendare Blake, Lamar Giles, Mark Oshiro, Naseem Jamnia, Tiffany D. Jackson, and Terry J. Benton-Walker.A collection you’ll be dying to talk about… if you survive it. BIO Terry J. Benton-Walker grew up in rural GA and now lives in Atlanta with his husband and son, where he writes fantasy and horror for adults, young adults, and children. He has an Industrial Engineering degree from Georgia Tech and an MBA from Georgia State. When he’s not writing, he can be found gaming, eating ice cream, or both. Blood Debts is his first novel. Terry is also the author of Alex Wise vs the End of the World and editor and contributor of The White Guy Dies First anthology. REVIEWS “There are damn few anthologies as weird, stingingly sarcastic, horrific, and wild as The White Guy Dies First. This is juicy horror tossed into a frenzied blender with social commentary, real scares, and pitch-black humor. I’m a fan!” -- Jonathan Maberry, New York Times bestselling author of the Rot & Ruin Series“Skillfully pushes the boundaries of the genre…. Not for the faint of heart." -- Kirkus Reviews“Powerful.” -- Publishers Weekly“Changing the horror game one short story at a time.” -- Cosmopolitan"Each reader will have a favorite tale in this solid horror short story collection." -- School Library Journal"Fans with strong stomachs will enjoy this." -- Bulletin of the Center for Children's Books"This book brings us together, explores experiences and emotions, and vents so much frustration, all while having great horror fun. I loved reading this book, and many readers out there will love it, too." -- Lightspeed Magazine [H] TorTeen / July 16, 2024 1.08" H x 8.27" L x 5.71" W (0.88 lbs) 320 pages For ages 13 to 18

The White Guy Dies First: 13 Scary Stories of Fear and Power /// edited Terry J. Benton-Walker /// new

The son of Ethiopian immigrants seeks to understand a hidden family history and uncovers a past colored by unexpected loss, addiction, and the enduring emotional pull toward home.After abandoning his once-promising career as a journalist in search of a new life in Paris, Mamush meets Hannah—a photographer whose way of seeing the world shows him the possibility of finding not only love but family. Now, five years later, with his marriage to Hannah on the verge of collapse, he returns to the close-knit immigrant Ethiopian community of Washington, DC, that defined his childhood. At its center is Mamush’s stoic, implacable mother, and Samuel, the larger-than-life father figure whose ceaseless charm and humor have always served as a cover for a harder, more troubling truth. But on the same day that Mamush arrives home in Washington, Samuel is found dead in his garage.With Hannah and their two-year-old son back in Paris, Mamush sets out on an unexpected journey across America in search of answers to questions he’d been told never to ask. As he does so, he begins to understand that perhaps the only chance he has of saving his family and making it back home is to confront not only the unresolved mystery around Samuel’s life and death, but his own troubled memories, and the years spent masking them. Breathtaking, commanding, unforgettable work from one of America’s most prodigiously gifted novelists. BIO Dinaw Mengestu is the author of three novels, all of which were named New York Times Notable Books: All Our Names, How to Read the Air, and The Beautiful Things That Heaven Bears. A native of Ethiopia who came with his family to the United States at the age of two, Mengestu is also a freelance journalist who has reported about life in Darfur, northern Uganda, and eastern Congo. His articles and fiction have appeared in The New York Times, The New Yorker, Harper’s, Granta, Jane, and Rolling Stone. He is a 2012 MacArthur Fellow and recipient of a Lannan Literary Fellowship for Fiction, a National Book Foundation 5 Under 35 Prize, Guardian First Book Award, and the Los Angeles Times Art Seidenbaum Award for First Fiction, among other honors. He was also included in The New Yorker’s 20 under 40 list in 2010. REVIEWS “A captivating novel about displacement, isolation, and oppression.” --TIME ”A moving, memorable novel . . . [Mengestu] defies standard immigrant-narrativetropes in which successes compensate for feelings of longing, displacement, and loss. But this time, it’s bleaker as Mengestu emphasizes his characters’ fears of deportation, of being pulledover by police, and their utter exhaustion as work and anxiety rob them of sleep.” -- Booklist (starred review)“Beautiful . . . Mengestu shifts fluidly between fabulism and realism, and the narrative is full of wisdom related to Samuel’s disillusionment with the American dream. Mengestu’s tremendous talents are on full display.” -- Publishers Weekly (starred review)“Mengestu expertly portrays the lives of immigrants who are never totally accepted intheir adopted country and their American-born children who muststraddle both worlds.” -- Library Journal [H] Knopf Publishing Group / July 30, 2024 1.1" H x 9.48" L x 6.37" W (1.13 lbs) 272 pages

Someone Like Us: A Novel /// Dinaw Mengestu /// new

A “wise, funny, irresistible” (Shelf Awareness) debut novel about family secrets, judgmental aunties, and Brazilian butt lifts, from the author of the internationally bestselling story collection Nearly All the Men in Lagos Are Mad. In Nigerian families, none of your business is private. Not even if it's about your bumbum. Freshly out of Obafemi Awolowo University, 20-year-old Temi has a clear plan for her future: she is going to surgically enlarge her backside like all the other Nigerian women, move from Ile-Ife to Lagos, and meet a man who will love her senseless. But when she finally finds the courage to tell her mother, older sister, and aunties, her announcement causes an uproar. As each of the other women try to cure Temi of what seems like temporary insanity, they begin to spill long-buried secrets, including the truth of Temi’s older sister’s mysterious disappearance five years earlier. In the end, it seems like Temi might be the sanest of them all… In Only Big Bumbum Matters Tomorrow, Damilare Kuku brings her signature humor, boldness, and compassion to each member of this loveable but exasperating family, whose lives reveal the ways in which a woman’s physical appearance can dictate her life and relationships and show just how sharp the double-edged sword of beauty can be. BIO Damilare Kuku is a creative artist who has worked as a radio presenter, scriptwriter, film producer, Nollywood actress, and director. She is the author of the story collection Nearly All the Men in Lagos Are Mad and the novel Only Big BumBum Matters Tomorrow. REVIEWS A polyphonic masterpiece . . . Sharply insightful, bitingly funny, wondrously poignant.” -- Shelf Awareness “Damilare Kuku, queen of the banging book title, knows how complicated it is to be a Nigerian woman. This book explores themes weightier than any BBL, but never preaches. Kuku made me giggle and gasp. I loved it.” -- Nikki May, author of Wahala “Both tender and hilarious, Only Big Bumbum Matters Tomorrow addresses the impossible decisions that women in patriarchal societies have to make. Damilare Kuku is an enthralling storyteller, handling the boisterous harmony of this multigenerational cast of female characters with compassion and flair.” -- Jendella Benson, author of Hope & Glory [H] Harpervia / July 30, 2024 1.0" H x 8.4" L x 5.5" W (0.61 lbs) 272 pages

A “wise, funny, irresistible” (Shelf Awareness) debut novel about family secrets, judgmental aunties, and Brazilian butt lifts, from the author of the internationally bestselling story collection Nearly All the Men in Lagos Are Mad.
In Nigerian families, none of your business is private. Not even if it's about your bumbum.
Freshly out of Obafemi Awolowo University, 20-year-old Temi has a clear plan for her future: she is going to surgically enlarge her backside like all the other Nigerian women, move from Ile-Ife to Lagos, and meet a man who will love her senseless.
But when she finally finds the courage to tell her mother, older sister, and aunties, her announcement causes an uproar. As each of the other women try to cure Temi of what seems like temporary insanity, they begin to spill long-buried secrets, including the truth of Temi’s older sister’s mysterious disappearance five years earlier.
In the end, it seems like Temi might be the sanest of them all…
In Only Big Bumbum Matters Tomorrow, Damilare Kuku brings her signature humor, boldness, and compassion to each member of this loveable but exasperating family, whose lives reveal the ways in which a woman’s physical appearance can dictate her life and relationships and show just how sharp the double-edged sword of beauty can be.
BIO
<meta charset="utf-8">Damilare Kuku is a creative artist who has worked as a radio presenter, scriptwriter, film producer, Nollywood actress, and director. She is the author of the story collection Nearly All the Men in Lagos Are Mad and the novel Only Big BumBum Matters Tomorrow.
REVIEWS
A polyphonic masterpiece . . . Sharply insightful, bitingly funny, wondrously poignant.” -- Shelf Awareness
“Damilare Kuku, queen of the banging book title, knows how complicated it is to be a Nigerian woman. This book explores themes weightier than any BBL, but never preaches. Kuku made me giggle and gasp. I loved it.”  -- Nikki May, author of Wahala
“Both tender and hilarious, Only Big Bumbum Matters Tomorrow addresses the impossible decisions that women in patriarchal societies have to make. Damilare Kuku is an enthralling storyteller, handling the boisterous harmony of this multigenerational cast of female characters with compassion and flair.” -- Jendella Benson, author of Hope &amp; Glory
[H]  Harpervia  /  July 30, 2024
<meta charset="utf-8">1.0" H x 8.4" L x 5.5" W (0.61 lbs) 272 pages

Only Big Bumbum Matters Tomorrow: A Novel /// Damilare Kuku /// new

-- This title will ship on or after September 03, 2024 -- “A riveting and exhilarating novel about making art and selling out…Senna is one of this country’s most thrilling writers.” –Rumaan Alam, author of Leave the World BehindA brilliant dark comedy about love and ambition, failure and reinvention, and the racial- identity-industrial complex from the bestselling author of CaucasiaJane has high hopes that her life is about to turn around. After a long, precarious stretch bouncing among sketchy rentals and sublets, she and her family are living in luxury for a year, house-sitting in the hills above Los Angeles. The gig magically coincides with Jane’s sabbatical, giving her the time and space she needs to finish her second novel—a centuries-spanning epic her artist husband, Lenny, dubs her “mulatto War and Peace.” Finally, some semblance of stability and success seems to be within her grasp.But things don’t work out quite as hoped. Desperate for a plan B, like countless writers before her Jane turns her gaze to Hollywood. When she finagles a meeting with Hampton Ford, a hot producer with a major development deal at a streaming network, he seems excited to work with a “real writer,” and together they begin to develop “the Jackie Robinson of biracial comedies.” Things finally seem to be going right for Jane—until they go terribly wrong.Funny, piercing, and page turning, Colored Television is Senna’s most on-the-pulse, ambitious, and rewarding novel yet BIO Danzy Senna is the author of five previous books, including the bestselling Caucasia and, most recently, New People, as well as a memoir. The recipient of numerous awards and honors, she teaches writing at the University of Southern California. REVIEWS “[A] brilliant, of-the-moment, just really almost perfect book.” -- Kirkus Reviews, STARRED“A complex and satisfying portrait of a woman struggling with the categories that define her.” -- Publishers Weekly“I couldn’t stop turning the pages, and only when it was all over did I realize what Senna had done. Addictive, hilarious and relatable, yes, but Colored Television is after something larger and more elusive, a very modern reckoning with the ambiguities triangulated by race, class, creativity and love. She nails it.” -- Miranda July, author of All Fours and The First Bad Man“A riveting and exhilarating novel about making art and selling out, about being middle aged and precariously middle class. As fearless as she is funny, Danzy Senna is one of this country’s most thrilling writers.” -- Rumaan Alam, author of Leave the World Behind“Colored Television is hilarious. Senna writes with tenderness about the debasement of aspiration, and renders with acuity the mad place in the mind where fixation and avoidance are joined.” -- Raven Leilani, author of Luster [H] Riverhead Books / September 03, 2024 288 pages

-- This title will ship on or after September 03, 2024 --  
<meta charset="utf-8">“A riveting and exhilarating novel about making art and selling out…Senna is one of this country’s most thrilling writers.” –Rumaan Alam, author of Leave the World Behind A brilliant dark comedy about love and ambition, failure and reinvention, and the racial- identity-industrial complex from the bestselling author of Caucasia Jane has high hopes that her life is about to turn around. After a long, precarious stretch bouncing among sketchy rentals and sublets, she and her family are living in luxury for a year, house-sitting in the hills above Los Angeles. The gig magically coincides with Jane’s sabbatical, giving her the time and space she needs to finish her second novel—a centuries-spanning epic her artist husband, Lenny, dubs her “mulatto War and Peace.” Finally, some semblance of stability and success seems to be within her grasp. But things don’t work out quite as hoped. Desperate for a plan B, like countless writers before her Jane turns her gaze to Hollywood. When she finagles a meeting with Hampton Ford, a hot producer with a major development deal at a streaming network, he seems excited to work with a “real writer,” and together they begin to develop “the Jackie Robinson of biracial comedies.” Things finally seem to be going right for Jane—until they go terribly wrong. Funny, piercing, and page turning, Colored Television is Senna’s most on-the-pulse, ambitious, and rewarding novel yet
BIO
<meta charset="utf-8">Danzy Senna is the author of five previous books, including the bestselling Caucasia and, most recently, New People, as well as a memoir. The recipient of numerous awards and honors, she teaches writing at the University of Southern California.
REVIEWS
<meta charset="utf-8">“[A] brilliant, of-the-moment, just really almost perfect book.” -- Kirkus Reviews, STARRED “A complex and satisfying portrait of a woman struggling with the categories that define her.” -- Publishers Weekly “I couldn’t stop turning the pages, and only when it was all over did I realize what Senna had done. Addictive, hilarious and relatable, yes, but Colored Television is after something larger and more elusive, a very modern reckoning with the ambiguities triangulated by race, class, creativity and love. She nails it.” -- Miranda July, author of All Fours and The First Bad Man “A riveting and exhilarating novel about making art and selling out, about being middle aged and precariously middle class. As fearless as she is funny, Danzy Senna is one of this country’s most thrilling writers.” -- Rumaan Alam, author of Leave the World Behind “Colored Television is hilarious. Senna writes with tenderness about the debasement of aspiration, and renders with acuity the mad place in the mind where fixation and avoidance are joined.” -- Raven Leilani, author of Luster
[H]  Riverhead Books  /  September 03, 2024
<meta charset="utf-8">288 pages

Colored Television /// Danzy Senna /// pre

When Bonnie and Mansour meet in New York in 1968—his piercing gaze in a downtown jazz club threatening to carry her away—their connection is undeniable. Both from fractured homes, with childhoods spent crossing the Atlantic, they quickly find peace with each other. And as Mansour’s soaring Senegalese melodies continue to break new ground, keeping time with the sound of revolution and taking him and Bonnie from Paris to Rio and Switzerland, it seems as though happiness might finally be around the corner for them both. Then Mansour goes missing. His Spanish tour was only meant to last three weeks, but three months later, he and his band have not returned. In his absence, Bonnie reckons with her memories of him, and comes to understand that the hopes of so many women—her mother and grandmother; his mother, aunt, childhood friend—rest on her perseverance. Stirred by the life growing inside her, Bonnie puts a plan in action to find him. Spanning two decades and moving through the hotbeds of the African diaspora, They Dream in Gold is an epic yet intimate exploration of the migrant hunger for belonging and a powerful, intergenerational testament to our shared humanity, for lovers of Tara Stringfellow’s Memphis and Abi Daré’s The Girl with the Louding Voice. BIO Mai Sennaar is a graduate of NYU’s Tisch School of the Arts. The Smithsonian Affiliate Museum of the African Diaspora, the Berkeley Art Museum and Pacific Film Archive, and the Classical Theatre of Harlem are among the venues that have presented her plays. Her short film Wax Lovers’ Playlist premiered at AFI Silver Theatre and Cultural Center and was an Official Selection of the Martha’s Vineyard African American Film Festival. She is the book writer for Carry On!, a new musical by Broadway composer Diana Wharton-Sennaar and the creative director of the performing arts company MWPLive. They Dream in Gold is her first novel. She lives between Baltimore and Dakar. REVIEWS “Expansive, evocative . . . Sennaar’s writing is eloquent and transportive as she conjures each scene with depth and detail, whether describing a sumptuous meal or the intensifying crescendo of a song . . . A dynamic and impressive debut by a talented new novelist.” -- Booklist, Starred Review “Wow. What a book! They Dream in Gold is a gorgeous symphony of voices and cities and art, tied together by a stunning love story and a mysterious disappearance. In luminous language, with characters who sweat, bleed and sing, Mai Sennaar has written a debut that soars and kept me turning pages long after my bedtime. What a thrill to read a new writer with this much heart and vision.” -- Tara Conklin, New York Times bestselling author of The Last Romantics “Playwright and director Mai Sennaar’s debut novel, They Dream in Gold, crackles. Her prose is elemental, flowing like a river at times, then burning like fire, heightening the reader’s senses until all five mingle into one . . . Sennaar moves swiftly back and forth across continents and generations to tell a vividly realized story of family, identity and love . . . Unreserved and confident, Sennaar’s piercing narrative voice reverberates through a novel pulsing with all the intensity it takes to compose a life and make it sing.” -- Melissa Brown, Bookpage [H] Zando Sjp Lit / July 30, 2024 1.5" H x 9.1" L x 6.0" W (1.35 lbs) 432 pages

When Bonnie and Mansour meet in New York in 1968—his piercing gaze in a downtown jazz club threatening to carry her away—their connection is undeniable. Both from fractured homes, with childhoods spent crossing the Atlantic, they quickly find peace with each other. And as Mansour’s soaring Senegalese melodies continue to break new ground, keeping time with the sound of revolution and taking him and Bonnie from Paris to Rio and Switzerland, it seems as though happiness might finally be around the corner for them both.
Then Mansour goes missing. His Spanish tour was only meant to last three weeks, but three months later, he and his band have not returned. In his absence, Bonnie reckons with her memories of him, and comes to understand that the hopes of so many women—her mother and grandmother; his mother, aunt, childhood friend—rest on her perseverance. Stirred by the life growing inside her, Bonnie puts a plan in action to find him.
Spanning two decades and moving through the hotbeds of the African diaspora, They Dream in Gold is an epic yet intimate exploration of the migrant hunger for belonging and a powerful, intergenerational testament to our shared humanity, for lovers of Tara Stringfellow’s Memphis and Abi Daré’s The Girl with the Louding Voice.
BIO
<meta charset="utf-8">Mai Sennaar is a graduate of NYU’s Tisch School of the Arts. The Smithsonian Affiliate Museum of the African Diaspora, the Berkeley Art Museum and Pacific Film Archive, and the Classical Theatre of Harlem are among the venues that have presented her plays. Her short film Wax Lovers’ Playlist premiered at AFI Silver Theatre and Cultural Center and was an Official Selection of the Martha’s Vineyard African American Film Festival. She is the book writer for Carry On!, a new musical by Broadway composer Diana Wharton-Sennaar and the creative director of the performing arts company MWPLive. They Dream in Gold is her first novel. She lives between Baltimore and Dakar.
REVIEWS
“Expansive, evocative . . . Sennaar’s writing is eloquent and transportive as she conjures each scene with depth and detail, whether describing a sumptuous meal or the intensifying crescendo of a song . . . A dynamic and impressive debut by a talented new novelist.” -- Booklist, Starred Review
“Wow. What a book! They Dream in Gold is a gorgeous symphony of voices and cities and art, tied together by a stunning love story and a mysterious disappearance. In luminous language, with characters who sweat, bleed and sing, Mai Sennaar has written a debut that soars and kept me turning pages long after my bedtime. What a thrill to read a new writer with this much heart and vision.” -- Tara Conklin, New York Times bestselling author of The Last Romantics
“Playwright and director Mai Sennaar’s debut novel, They Dream in Gold, crackles. Her prose is elemental, flowing like a river at times, then burning like fire, heightening the reader’s senses until all five mingle into one . . . Sennaar moves swiftly back and forth across continents and generations to tell a vividly realized story of family, identity and love . . . Unreserved and confident, Sennaar’s piercing narrative voice reverberates through a novel pulsing with all the intensity it takes to compose a life and make it sing.” -- Melissa Brown, Bookpage
[H]  Zando Sjp Lit  /  July 30, 2024
1.5" H x 9.1" L x 6.0" W (1.35 lbs) 432 pages

They Dream in Gold: A Novel /// Mai Sennaar /// new

“An absolute joy to read....Obuobi’s perfect balance of humor and wisdom made this one a true standout.” –Emily Henry, #1 NYT bestselling author Kennedy Ryan meets Carley Fortune in this swoon-worthy story of love and friendship in the age of social media—where what you see might not be all you get. To thousands of Instagram followers Josephine Boateng is the dazzling Dr. Jojo, and her opinions on health and self-love matter. Her message: be smart, be significant, and do not put up with foolish men. Off-camera, Jo’s story is more complicated. She's grappling with depression and the pressures of her career, and her love life is nonexistent thanks to a longtime unrequited crush on her best friend, romcom heartthrob Ezra Adelman. But when Ezra shows up to his thirtieth birthday party with her childhood bully on his arm, Jo realizes enough is enough. It’s time to take her own advice and prioritize herself. No one is more shocked than Malcolm Waters when his debut novel turns him into a literary darling, the type who gets invited to a swanky penthouse party to discuss film opportunities. Rubbing elbows with the elite of entertainment will be great for his career—except he's terrible with people, and even worse at networking. Just when Malcolm is ready to throw in the towel, he’s rescued by none other than Dr. Jojo. He’s been following her on social media for years, and she’s even more impressive in real life. And to his bewilderment, the feeling is mutual. But Jo, Ezra, and Malcolm exist in a world where the line between private and public is as blurred as the line between friendship and love. The question is, can they risk defining those lines to create something real? BIO Shirlene Obuobi is a Ghanaian American cardiologist, cartoonist, and author who grew up in Chicago, Illinois; Hot Springs, Arkansas; and the Woodlands, Texas. She appeared on Good Morning America to promote her debut novel, On Rotation and is a regular contributor to the Washington Post. When she isn’t in the hospital, she can be found drawing comics, writing on her phone, and talking to everyone who will listen about women’s heart health. REVIEWS “What a beautiful, emotionally generous, goodhearted book! Between Friends & Lovers was an absolute joy to read, with messy, realistic, and deeply lovable characters fumbling their ways through life, making mistakes, and doing the best they can to clean them up. Obuobi’s perfect balance of humor and wisdom made this one a true standout.” -- Emily Henry, #1 New York Times bestselling author “I adored On Rotation, so I had high expectations going into this book, but with Between Friends & Lovers, Shirlene Obuobi gave me a once-in-a-lifetime reading experience. It’s sweet and steamy, perfectly written, overflowing with heart, and it became an instant favorite.…Basically: I’ll recommend this book for eternity!' -- Ali Hazelwood, New York Times bestselling author “This book is spectacular! It is deft and voicy, sexy and emotionally brilliant. I am honestly obsessed with Shirlene Obuobi’s Between Friends & Lovers and cannot wait to shout about it to every reader I encounter.” -- Christina Lauren, New York Times bestselling author “Meaty, complex, and steamy. Obuobi takes it all on! Add Between Friends & Lovers to your TBR, this is an author to watch.” -- Abby Jimenez, New York Times bestselling author [H] Avon Books / July 30, 2024 1.2" H x 8.5" L x 6.1" W (1.4 lbs) 368 pages [P] Avon Books / July 30, 2024 0.89" H x 7.93" L x 5.29" W (0.59 lbs) 368 pages

“An absolute joy to read....Obuobi’s perfect balance of humor and wisdom made this one a true standout.” –Emily Henry, #1 NYT bestselling author
Kennedy Ryan meets Carley Fortune in this swoon-worthy story of love and friendship in the age of social media—where what you see might not be all you get. 
To thousands of Instagram followers Josephine Boateng is the dazzling Dr. Jojo, and her opinions on health and self-love matter. Her message: be smart, be significant, and do not put up with foolish men.
Off-camera, Jo’s story is more complicated. She's grappling with depression and the pressures of her career, and her love life is nonexistent thanks to a longtime unrequited crush on her best friend, romcom heartthrob Ezra Adelman. But when Ezra shows up to his thirtieth birthday party with her childhood bully on his arm, Jo realizes enough is enough. It’s time to take her own advice and prioritize herself.
No one is more shocked than Malcolm Waters when his debut novel turns him into a literary darling, the type who gets invited to a swanky penthouse party to discuss film opportunities. Rubbing elbows with the elite of entertainment will be great for his career—except he's terrible with people, and even worse at networking.
Just when Malcolm is ready to throw in the towel, he’s rescued by none other than Dr. Jojo. He’s been following her on social media for years, and she’s even more impressive in real life. And to his bewilderment, the feeling is mutual.
But Jo, Ezra, and Malcolm exist in a world where the line between private and public is as blurred as the line between friendship and love. The question is, can they risk defining those lines to create something real?
BIO
<meta charset="utf-8">Shirlene Obuobi is a Ghanaian American cardiologist, cartoonist, and author who grew up in Chicago, Illinois; Hot Springs, Arkansas; and the Woodlands, Texas. She appeared on Good Morning America to promote her debut novel, On Rotation and is a regular contributor to the Washington Post. When she isn’t in the hospital, she can be found drawing comics, writing on her phone, and talking to everyone who will listen about women’s heart health.
REVIEWS
“What a beautiful, emotionally generous, goodhearted book! Between Friends &amp; Lovers was an absolute joy to read, with messy, realistic, and deeply lovable characters fumbling their ways through life, making mistakes, and doing the best they can to clean them up. Obuobi’s perfect balance of humor and wisdom made this one a true standout.” -- Emily Henry, #1 New York Times bestselling author
“I adored On Rotation, so I had high expectations going into this book, but with Between Friends &amp; Lovers, Shirlene Obuobi gave me a once-in-a-lifetime reading experience. It’s sweet and steamy, perfectly written, overflowing with heart, and it became an instant favorite.…Basically: I’ll recommend this book for eternity!' -- Ali Hazelwood, New York Times bestselling author
“This book is spectacular! It is deft and voicy, sexy and emotionally brilliant. I am honestly obsessed with Shirlene Obuobi’s Between Friends &amp; Lovers and cannot wait to shout about it to every reader I encounter.” -- Christina Lauren, New York Times bestselling author
“Meaty, complex, and steamy. Obuobi takes it all on! Add Between Friends &amp; Lovers to your TBR, this is an author to watch.” -- Abby Jimenez, New York Times bestselling author
[H]  Avon Books  /  July 30, 2024
<meta charset="utf-8">1.2" H x 8.5" L x 6.1" W (1.4 lbs) 368 pages 
[P]  Avon Books  /  July 30, 2024
<meta charset="utf-8">0.89" H x 7.93" L x 5.29" W (0.59 lbs) 368 pages <meta charset="utf-8">

Between Friends & Lovers /// Shirlene Obuobi /// new

The uplifting story of a young Black scientist’s challenging journey to flourish outside the traditional confines of academia, inspired by her innate connection to nature’s most misunderstood animal—the shark.“Jasmin Graham has that winning combination of talent and grit needed to excel as a scientist. Every girl who wants to be a marine biologist should have this book.” —Hope Jahren, New York Times bestselling author of Lab Girl and The Story of MoreSharks have been on this planet for over 400 million years, so there is a lot they can teach us about survival and adaptability. For example: how do sharks, which unlike other fish are denser than water, stay afloat? They keep moving. When Jasmin Graham, an award-winning young shark scientist, started to feel that the traditional path to becoming a marine biologist was pulling her under, she remembered this important lesson: keep moving forward.If navigating the choppy waters of traditional academic study was no longer worth it, then that meant creating an ocean of her own. Jasmin joined with three other Black women to form Minorities in Shark Sciences (MISS), an organization dedicated to providing support and opportunities for other young women of color. She became an independent researcher: a rogue shark scientist, seeking ways to keep these extraordinary endangered creatures swimming free—just like her.Sharks Don’t Sink is a riveting, moving, and ultimately triumphant memoir at the intersection of science and social justice: a guidebook to how we can all learn to respect and protect some of nature’s most misunderstood and vulnerable creatures—and grant the same grace to ourselves. BIO Jasmin Graham is a marine biologist in the field of elasmobranch ecology and evolution, currently specializing in smalltooth sawfish and hammerhead sharks. She is the co-founder of Minorities in Shark Sciences (MISS), an organization providing support for women of color in the field of shark biology and ecology, in order to foster greater diversity in marine science. She is a recipient of the WWF Conservation Leadership Award, the Safina Launchpad Center Fellowship, and a National Science Foundation Graduate Research Fellowship REVIEWS MOST ANTICIPATED: NPR • TIME • DEEP SOUTH MAGAZINE • THE ROOT“Jasmin’s journey, along with her love of sharks, is both fascinating and inspiring, sitting at the cross section of science and social justice. This book is a triumph.” -- Emily Giffin, TODAY“Riveting.” -- Shannon Carlin, TIME“Graham had to face the sharp-teethed truths of academia, while creating a world of curiosity and discovery around the complex lives of sharks. To combat the racism she encountered in academia, Graham created an ‘ocean of her own’ to become an independent scientist and a champion of social justice.” -- Martha Ann Toll, NPR“Sharks Don’t Sink is a compelling tale of resilience, passion, and the transformative power of empathy and knowledge. Through Graham’s eyes, we not only gain a newfound appreciation for these incredible creatures but also of Graham’s own journey to becoming a voice for the voiceless. Through this remarkable memoir, readers will be inspired to pursue their dreams, defy expectations, and fight for a better, more inclusive future for all.” -- Weike Wang, author of Chemistry and Joan Is Okay“I reveled in Jasmin Graham’s delightful, irreverent voice. Sharks Don’t Sink is a triumph. Graham’s love of the sharks that she studies, the ocean that draws her, and her sisters in rogue science, illuminates every page.” -- Susan Casey, author of The Underworld: Journeys to the Depths of the Ocean and Voices in the Ocean“Graham beautifully illustrates her profound connection with sharks and parallels their struggles with those faced by marginalized communities around the world. Graham powerfully underscores the importance of empathy, advocacy, and the recognition of shared experiences in collectively creating a more just and equitable world for all. It’s such a joy to witness Graham’s intelligence, charisma and tenacity shine brightly through her writing.” -- Danni Washington, author of Bold Women in Science [H] Pantheon Books / July 16, 2024 0.9" H x 8.5" L x 5.75" W (0.83 lbs) 224 pages

Sharks Don't Sink: Adventures of a Rogue Shark Scientist /// Jasmin Graham /// new

Part-family drama, part-ghost story, and completely mesmerizing, Sing, Unburied, Sing is a lyrical and honest meditation on family, race, the ties that bind, and the walls that separate us. *Selected as One of the Best Books of the 21st Century by The New York Times * WINNER of the NATIONAL BOOK AWARD and A NEW YORK TIMES TOP 10 BEST BOOK OF THE YEARA finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two-time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a “tour de force” (O, The Oprah Magazine) and a timeless work of fiction that is destined to become a classic.Jesmyn Ward’s historic second National Book Award–winner is “perfectly poised for the moment” (The New York Times), an intimate portrait of three generations of a family and an epic tale of hope and struggle. “Ward’s writing throbs with life, grief, and love... this book is the kind that makes you ache to return to it” (Buzzfeed).Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager.His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances.When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love.Rich with Ward’s distinctive, lyrical language, Sing, Unburied, Sing is a majestic and unforgettable family story and “an odyssey through rural Mississippi’s past and present” (The Philadelphia Inquirer). BIO Jesmyn Ward received her MFA from the University of Michigan and has received the MacArthur Genius Grant, a Stegner Fellowship, a John and Renee Grisham Writers Residency, the Strauss Living Prize, and the 2022 Library of Congress Prize for American Fiction. She is the historic winner—first woman and first Black American—of two National Book Awards for Fiction for Sing, Unburied, Sing (2017) and Salvage the Bones (2011). She is also the author of the novel Where the Line Bleeds and the memoir Men We Reaped, which was a finalist for the National Book Critics Circle Award and won the Chicago Tribune Heartland Prize and the Media for a Just Society Award. She is currently a professor of creative writing at Tulane University and lives in Mississippi. REVIEWS "Ghosts, literal and literary, haunt nearly every page of Sing, Unburied, Sing — a novel whose boundaries between the living and the dead shift constantly, like smoke or sand. Set on the Gulf Coast of Mississippi (a place rich in oil rigs and atmosphere, if almost nothing else), the book’s Southern gothic aura recalls the dense, head-spinning prose of William Faulkner or Flannery O’Connor. But the voice is entirely Ward's own, a voluptuous magical realism that takes root in the darkest corners of human behavior ... Ward, whose Salvage the Bones won a National Book Award, has emerged as one of the most searing and singularly gifted writers working today. Grade: A." -- Entertainment Weekly"However eternal its concerns, Sing, Unburied, Sing, Ward’s new book, is perfectly poised for the moment. It combines aspects of the American road novel and the ghost story with a timely treatment of the long aftershocks of a hurricane and the opioid epidemic devouring rural America." -- The New York Times"Staggering ... even more expansive and layered [than Salvage the Bones]. A furious brew with hints of Toni Morrison and Homer’s “The Odyssey,” Ward’s novel hits full stride when Leonie takes her children and a friend and hits the road to pick up her children’s father, Michael, from prison. On a real and metaphorical road of secrets and sorrows, the story shifts narrators — from Jojo to Leonie to Richie, a doomed boy from his grandfather’s fractured past — as they crash into both the ghosts that stalk them, as well as the disquieting ways these characters haunt themselves." -- Boston Globe"Sing, Unburied, Sing is many things: a road novel, a slender epic of three generations and the ghosts that haunt them, and a portrait of what ordinary folk in dire circumstances cleave to as well as what they — and perhaps we all — are trying to outrun.” -- New York Times Book Review"Sing, Unburied Sing is Ward’s third novel and her most ambitious yet. Her lyrical prose takes on, alternately, the tones of a road novel and a ghost story ... Sing, which is longlisted for a 2017 National Book Award, establishes Ward as one of the most poetic writers in the conversation about America’s unfinished business in the black South." -- The Atlantic [P] Scribner Book Company / May 08, 2018 0.8" H x 7.9" L x 5.2" W (0.55 lbs) 320 pages

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Part-family drama, part-ghost story, and completely mesmerizing, Sing, Unburied, Sing is a lyrical and honest meditation on family, race, the ties that bind, and the walls that separate us.
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*Selected as One of the Best Books of the 21st Century by The New York Times * WINNER of the NATIONAL BOOK AWARD and A NEW YORK TIMES TOP 10 BEST BOOK OF THE YEAR A finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two-time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a “tour de force” (O, The Oprah Magazine) and a timeless work of fiction that is destined to become a classic. Jesmyn Ward’s historic second National Book Award–winner is “perfectly poised for the moment” (The New York Times), an intimate portrait of three generations of a family and an epic tale of hope and struggle. “Ward’s writing throbs with life, grief, and love... this book is the kind that makes you ache to return to it” (Buzzfeed). Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager. His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances. When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love. Rich with Ward’s distinctive, lyrical language, Sing, Unburied, Sing is a majestic and unforgettable family story and “an odyssey through rural Mississippi’s past and present” (The Philadelphia Inquirer).</div>
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Jesmyn Ward received her MFA from the University of Michigan and has received the MacArthur Genius Grant, a Stegner Fellowship, a John and Renee Grisham Writers Residency, the Strauss Living Prize, and the 2022 Library of Congress Prize for American Fiction. She is the historic winner—first woman and first Black American—of two National Book Awards for Fiction for Sing, Unburied, Sing (2017) and Salvage the Bones (2011). She is also the author of the novel Where the Line Bleeds and the memoir Men We Reaped, which was a finalist for the National Book Critics Circle Award and won the Chicago Tribune Heartland Prize and the Media for a Just Society Award. She is currently a professor of creative writing at Tulane University and lives in Mississippi.</div>
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<meta charset="utf-8"> "Ghosts, literal and literary, haunt nearly every page of Sing, Unburied, Sing — a novel whose boundaries between the living and the dead shift constantly, like smoke or sand. Set on the Gulf Coast of Mississippi (a place rich in oil rigs and atmosphere, if almost nothing else), the book’s Southern gothic aura recalls the dense, head-spinning prose of William Faulkner or Flannery O’Connor. But the voice is entirely Ward's own, a voluptuous magical realism that takes root in the darkest corners of human behavior ... Ward, whose Salvage the Bones won a National Book Award, has emerged as one of the most searing and singularly gifted writers working today. Grade: A." -- Entertainment Weekly "However eternal its concerns, Sing, Unburied, Sing, Ward’s new book, is perfectly poised for the moment. It combines aspects of the American road novel and the ghost story with a timely treatment of the long aftershocks of a hurricane and the opioid epidemic devouring rural America." -- The New York Times "Staggering ... even more expansive and layered [than Salvage the Bones]. A furious brew with hints of Toni Morrison and Homer’s “The Odyssey,” Ward’s novel hits full stride when Leonie takes her children and a friend and hits the road to pick up her children’s father, Michael, from prison. On a real and metaphorical road of secrets and sorrows, the story shifts narrators — from Jojo to Leonie to Richie, a doomed boy from his grandfather’s fractured past — as they crash into both the ghosts that stalk them, as well as the disquieting ways these characters haunt themselves." -- Boston Globe "Sing, Unburied, Sing is many things: a road novel, a slender epic of three generations and the ghosts that haunt them, and a portrait of what ordinary folk in dire circumstances cleave to as well as what they — and perhaps we all — are trying to outrun.” -- New York Times Book Review "Sing, Unburied Sing is Ward’s third novel and her most ambitious yet. Her lyrical prose takes on, alternately, the tones of a road novel and a ghost story ... Sing, which is longlisted for a 2017 National Book Award, establishes Ward as one of the most poetic writers in the conversation about America’s unfinished business in the black South." -- The Atlantic
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Sing, Unburied, Sing /// Jesmyn Ward

Winner of the National Book AwardJesmyn Ward, two-time National Book Award winner and author of Sing, Unburied, Sing, delivers a gritty but tender novel about family and poverty in the days leading up to Hurricane Katrina.A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting.As the twelve days that make up the novel's framework yield to their dramatic conclusion, this unforgettable family--motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce--pulls itself up to face another day. A big-hearted novel about familial love and community against all odds, and a wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, Salvage the Bones is muscled with poetry, revelatory, and real. BIO Jesmyn Ward grew up in poverty in rural Mississippi. She writes powerfully about the pressures this brings, on the men who can do no right and the women who stand in for family in a society where the men are often absent. She bravely tells her story, revisiting the agonizing losses of her only brother and her friends. As the sole member of her family to leave home and pursue higher education, she writes about this parallel American universe with the objectivity distance provides and the intimacy of utter familiarity. A brutal world rendered beautifully, Jesmyn Ward's memoir will sit comfortably alongside Edwidge Danticat's Brother, I'm Dying, Tobias Wolff's This Boy's Life, and Maya Angelou's I Know Why the Caged Bird Sings. REVIEWS "A taut, wily novel, smartly plotted and voluptuously written. It feels fresh and urgent, but it's an ancient, archetypal tale . . . Jesmyn Ward makes beautiful music, plays deftly with her reader's expectations.” -- Parul Sehgal, New York Times Book Review “Ward tells the story with a tense patience, marking day after day; when the storm comes, overturning everything, it feels like a fatal relief. At least the waiting's over. Salvage the Bones expands our understanding of Katrina's devastation, beyond the pictures of choked rooftops in New Orleans and toward the washed-out, feral landscapes elsewhere along the coast.” -- New Yorker “There's something of Faulkner to Ward's grand diction, which rolls between teenspeak . . . and the larger, incantatory rhythms of myth. She's fearless about her passion coming out purple, and for the most part the intensity of her story carries it off.” -- The Paris Review “I've just read [Salvage the Bones], and it'll be a long time before its magic wears off . . . [a] fiercely poetic novel . . . What makes the novel so powerful, though, is the way Ward winds private passions with that menace gathering force out in the Gulf of Mexico . . . Without a hint of pretension, in the simple lives of these poor people living among chickens and abandoned cars, she evokes the tenacious love and desperation of classical tragedy . . . A palpable sense of desire and sorrow animates every page here . . . Salvage the Bones has the aura of a classic about it.” -- Ron Charles, the Washington Post “Strikingly beautiful, taut, relentless and, by its end, indelible . . . Ward stares down the truth . . . It's astonishingly brave.” -- Joan Frank, San Francisco Chronicle “Salvage the Bones is an intense book, with powerful, direct prose that dips into poetic metaphor . . . the story is told with such immediacy and openness . . . That close-knit familial relationship is vivid and compelling, drawn with complexities and detail.” -- Los Angeles Times “The novel's hugeness of heart and fierceness of family grip and hold on like Skeetah's pit bull."” -- Ellen Feldman, O, the Oprah Magazine [P] Bloomsbury USA / April 24, 2012 0.75" H x 8.25" L x 5.6" W (0.65 lbs) 288 pages

Salvage the Bones: A Novel /// Jesmyn Ward

Named one of the Best Books of the Century by New York MagazineThe two-time National Book Award winner and author of Salvage the Bones and Let Us Descend, contends with the deaths of five young men dear to her, and the risk of being a Black man in the rural South.“We saw the lightning and that was the guns; and then we heard the thunder and that was the big guns; and then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped.” -Harriet TubmanIn five years, Jesmyn Ward lost five young men in her life-to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write about the experience of living through all the dying, she realized the truth-and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own. BIO Jesmyn Ward grew up in poverty in rural Mississippi. She writes powerfully about the pressures this brings, on the men who can do no right and the women who stand in for family in a society where the men are often absent. She bravely tells her story, revisiting the agonizing losses of her only brother and her friends. As the sole member of her family to leave home and pursue higher education, she writes about this parallel American universe with the objectivity distance provides and the intimacy of utter familiarity. A brutal world rendered beautifully, Jesmyn Ward's memoir will sit comfortably alongside Edwidge Danticat's Brother, I'm Dying, Tobias Wolff's This Boy's Life, and Maya Angelou's I Know Why the Caged Bird Sings. REVIEWS "[A] torrential, sorrowing tribute to five young black men . . . Ward tells their stories with tenderness and reverence; they live again in these pages. . . . This work of great grief and beauty renders them individual and irreplaceable.” -- New York Times, 50 Best Memoirs “Men We Reaped reaffirms Ms. Ward's substantial talent. It's an elegiac book that's rangy at the same time. She thinks back about her brother, and about her old dead friends, and about their nighttime adventures in cars. Then she declares, 'I don't ride with anyone like that anymore.'” -- Dwight Garner, New York Times “Jesmyn Ward left her Gulf Coast home for education and experience, but it called her back. It called on her in most painful ways, to mourn. In Men We Reaped, Jesmyn unburies her dead, that they may live again. And through this emotional excavation, she forces us to see the problems of place and race that led these men to their early graves. Full of beauty, love, and dignity, Men We Reaped is a haunting and essential read.” -- Natasha Trethewey, US Poet Laureate , author of Thrall and Native Guard, winner of the Pulitizer Prize “An assured yet scarifying memoir by young, supremely gifted novelist [Jesmyn] Ward... With more gumption than many, Ward battled not only the indifferent odds of rural poverty, but also the endless racism of her classmates... A modern rejoinder to Black Like Me, Beloved and other stories of struggle and redemption - beautifully written, if sometimes too sad to bear.” -- Kirkus Reviews (starred review) “Jesmyn Ward is simply sui generis. I am reminded of Miles Davis' quote: 'Don't play what's there, play what's not here,' after reading her memoir Men We Reaped. This is one might virtuosic, bluesy hymn. Beautiful.” -- Oscar Hijuelos, author of Thoughts Without Cigarettes “Jesmyn Ward is an alchemist. She transmutes pain and loss into gold. Men We Reaped illustrates hardships but thankfully, vitally, it's just as clear about the humor, the intelligence, the tenderness, the brilliance of the folks in DeLisle, Mississippi. A community that's usually wiped off the literary map can't be erased when it's in a book this good.” -- Victor LaValle, author of The Devil in Silver “Men We Reaped is a fiercely felt meditation on the value of life that at once reminds us of its infinite worth and indicts us - as a society - for our selective, casual complicity in devaluing it. Ward's account of these losses is founded in a compelling emotional honesty, and graced with moments of stark poetry.” -- Peter Ho Davies, author of The Welsh Girl “Jesmyn Ward returns to the world of her first two books, but here in the mode of non-fiction. A clear-eyed witness to the harrowing stories of 'men we reaped,' she quickens the dead and brings them, vividly alive again. An eloquent, grief-steeped account.” --Nicholas Delbanco, author of Lastingness: The Art of Old Age [H] Bloomsbury USA / September 17, 2013 1.09" H x 8.54" L x 5.9" W (0.89 lbs) 272 pages [P] Bloomsbury USA / September 16, 2014 0.8" H x 8.2" L x 5.4" W (0.65 lbs) 272 pages

Men We Reaped: A Novel /// Jesmyn Ward

At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this “intricate and extraordinary” Hugo Award winning novel of power, oppression, and revolution. (The New York Times)This is the way the world ends. . .for the last time.It starts with the great red rift across the heart of the world’s sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.This is the Stillness, a land long familiar with catastrophe, where the power of the earth is wielded as a weapon. And where there is no mercy.Read the first book in the critically acclaimed, three-time Hugo award-winning trilogy by NYT bestselling author N. K. Jemisin. BIO N. K. Jemisin is the first author in the genre’s history to win three consecutive Best Novel Hugo Awards, all for her Broken Earth trilogy. Her work has also won the Nebula, Locus, and Goodreads Choice Awards. She was a reviewer for the New York Times Book Review, and she has been an instructor for the Clarion and Clarion West writing workshops. In her spare time she is a gamer and gardener, and she is also single-handedly responsible for saving the world from KING Ozzymandias, her dangerously intelligent ginger cat, and his phenomenally destructive sidekick Magpie. REVIEWS "Jemisin is now a pillar of speculative fiction, breathtakingly imaginative and narratively bold." -- Entertainment Weekly "Intricate and extraordinary." -- The New York Times "[The Fifth Season is] an ambitious book, with a shifting point of view, and a protagonist whose full complexity doesn't become apparent till toward the end of the novel. ... Jemisin's work itself is part of a slow but definite change in sci-fi and fantasy." -- Guardian [P] Orbit / August 04, 2015 1.4" H x 8.1" L x 5.4" W (0.9 lbs) 512 pages

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At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this “intricate and extraordinary” Hugo Award winning novel of power, oppression, and revolution. (The New York Times) This is the way the world ends. . .for the last time. It starts with the great red rift across the heart of the world’s sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the earth is wielded as a weapon. And where there is no mercy. Read the first book in the critically acclaimed, three-time Hugo award-winning trilogy by NYT bestselling author N. K. Jemisin.</div>
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N. K. Jemisin is the first author in the genre’s history to win three consecutive Best Novel Hugo Awards, all for her Broken Earth trilogy. Her work has also won the Nebula, Locus, and Goodreads Choice Awards. She was a reviewer for the New York Times Book Review, and she has been an instructor for the Clarion and Clarion West writing workshops. In her spare time she is a gamer and gardener, and she is also single-handedly responsible for saving the world from KING Ozzymandias, her dangerously intelligent ginger cat, and his phenomenally destructive sidekick Magpie.</div>
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<div class="ai-truncate__contents">"[The Fifth Season is] an ambitious book, with a shifting point of view, and a protagonist whose full complexity doesn't become apparent till toward the end of the novel. ... Jemisin's work itself is part of a slow but definite change in sci-fi and fantasy." -- Guardian
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The Fifth Season /// N.K. Jemisin

Winner of the 2019 National Book Critics Circle Award in CriticismWinner of the PEN/John Kenneth Galbraith Award for NonfictionWinner of the 2020 Judy Grahn Award for Lesbian NonfictionFinalist for the Lambda Literary Award for Lesbian Memoir/BiographyNamed one of the Best Books of the 21st Century by the New York Times Book Review"Exhilarating…A rich resurrection of a forgotten history." — Parul Sehgal, New York Times Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work. Here, for the first time, these women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives, Beautiful Experiments recovers these women’s radical aspirations and insurgent desires. BIO Saidiya Hartman is the author of Wayward Lives, Beautiful Experiments, Lose Your Mother, Scenes of Subjection. She has been a MacArthur Fellow, Guggenheim Fellow, Cullman Fellow, and Fulbright Scholar. She is a University Professor at Columbia University and lives in New York. REVIEWS "I was inspired, surprised and deeply moved.…[Hartman's] mode is intimate, radical and always alive to the details." -- Leslie Jamison , The New York Times Book Review "Revelatory....The book's broad sweep, and its nimble pivoting among a range of scales and perspectives, make room for anonymous loiterers and recalcitrant inmates alongside fleeting stars and the more enduringly famous....Wayward Lives is thrilling to read because it invents a genre as deft and adventurous as the lives it chronicles." -- Sam Huber , The Nation "Hartman has influenced an entire generation of scholars and afforded readers a proximity to the past that would otherwise be foreclosed." -- MacArthur Foundation "Kaleidoscopic....In granting these forgotten women a voice, and conjuring their longing for freedom, Hartman resists the century-long diminution of their lives to social problems....The result is an effect more usually associated with fiction than history, of inspiring a powerful imaginative empathy—not only towards characters in the distant past but towards the strangers all around us, whose humanity we share." -- Joanna Scutts, New Republic [P] W. W. Norton / January 14, 2020 1.2" H x 8.2" L x 5.4" W (0.8 lbs) 464 pages

Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals /// Saidiya Hartman

A modern classic about star-crossed lovers that explores questions of race and being Black in America—and the search for what it means to call a place home. • From the award-winning author of We Should All Be Feminists and Half of a Yellow Sun • WITH A NEW INTRODUCTION BY THE AUTHOR“An expansive, epic love story.” — O, The Oprah Magazine One of the New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 YearsIfemelu and Obinze are young and in love when they depart military-ruled Nigeria for the West. Beautiful, self-assured Ifemelu heads for America, where despite her academic success, she is forced to grapple with what it means to be Black for the first time. Quiet, thoughtful Obinze had hoped to join her, but with post–9/11 America closed to him, he instead plunges into a dangerous, undocumented life in London. BIO Chimamanda Ngozi Adichie grew up in Nigeria. Her work has been translated into thirty languages and has appeared in various publications, including The New Yorker, The New York Times, Granta, The O. Henry Prize Stories, Financial Times, and Zoetrope: All-Story. She is the author of the novels Purple Hibiscus, which won the Commonwealth Writers Prize and the Hurston/Wright Legacy Award; Half of a Yellow Sun, which was the recipient of the Women’s Prize for Fiction “Winner of Winners” award; Americanah, which won the National Book Critics Circle Award; the story collection The Thing Around Your Neck; and the essays We Should All Be Feminists and Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions, both national bestsellers. A recipient of a MacArthur Fellowship, she divides her time between the United States and Nigeria. REVIEWS National Book Critics Circle Award Winner • One of the New York Times Book Review‘s Best Books of the Year • A PARADE BEST BOOK OF ALL TIMEOne of the Best Books of the Year:The New York Times • NPR • Chicago Tribune • The Washington Post • The Seattle Times • Entertainment Weekly • Newsday • Goodreads One of Time‘s 10 Best Fiction Books of the year“Dazzling. . . . Funny and defiant, and simultaneously so wise. . . . Brilliant.” -- San Francisco Chronicle“A very funny, very warm and moving intergenerational epic that confirms Adichie’s virtuosity, boundless empathy and searing social acuity.” -- Dave Eggers, author of A Hologram for the King“Masterful. . . . An expansive, epic love story. . . . Pulls no punches with regard to race, class and the high-risk, heart-tearing struggle for belonging in a fractured world.” -- O, The Oprah Magazine“[A] knockout of a novel about immigration, American dreams, the power of first love, and the shifting meanings of skin color. . . . A marvel.” -- NPR“A cerebral and utterly transfixing epic. . . . Americanah is superlative at making clear just how isolating it can be to live far away from home. . . . Unforgettable.” -- The Boston Globe“Witheringly trenchant and hugely empathetic . . . a novel that holds the discomfiting realities of our times fearlessly before us. . . . A steady-handed dissection of the universal human experience.” -- The New York Times Book Review“Adichie is uniquely positioned to compare racial hierarchies in the United States to social striving in her native Nigeria. She does so in this new work with a ruthless honesty about the ugly and beautiful sides of both nations.” -- The Washington Post [H] Knopf Publishing Group / May 14, 2013 1.56" H x 9.48" L x 6.52" W (1.9 lbs) 496 pages [P] Vintage / March 04, 2014 1.1" H x 8.03" L x 5.3" W (0.9 lbs) 608 pages

Americanah: A Novel /// Chimamanda Ngozi Adichie

NATIONAL BESTSELLER • The blockbuster debut novel from “a preternaturally gifted” writer (The New York Times) and author of On Beauty and Swing Time—set against London’s racial and cultural tapestry, reveling in the ecstatic hodgepodge of modern life, flirting with disaster, and embracing the comedy of daily existence.One of the New York Times’s 100 Best Books of the 21st CenturyZadie Smith’s dazzling debut caught critics grasping for comparisons and deciding on everyone from Charles Dickens to Salman Rushdie to John Irving and Martin Amis. But the truth is that Zadie Smith’s voice is remarkably, fluently, and altogether wonderfully her own.At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith. BIO Zadie Smith is the author of the novels White Teeth, The Autograph Man, On Beauty, NW and Swing Time; as well as a novella, The Embassy of Cambodia; three collections of essays, Changing My Mind, Feel Free and Intimations; a collection of short stories, Grand Union; and the play, The Wife of Willesden, adapted from Chaucer. She is also the editor of The Book of Other People. Zadie Smith was born in north-west London, where she still lives. REVIEWS A PARADE BEST BOOK OF ALL TIME“A preternaturally gifted new writer [with] a voice that’s street-smart and learned, sassy and philosophical all at the same time.” -- Michiko Kakutani, The New York Times“Brilliant…. Smith is a master at detail…a postmodern Charles Dickens…[Smith’s] rich storytelling and wicked wit are suited to the sights and smells of the world that England has inherited.” -- The Washington Post“[A] vibrant, rollicking first novel about race and idenity…[Smith’s] prickly wit is affectionate and poignant.” -- People“[A] dazzling intergenerational first novel…wonderfully inventive…playful yet unaffected, mongrel yet cohesive, profound yet funny, vernacular yet lyrical.” -- Los Angeles Times“[A] marvel of a debut novel. . .Reminscent of both Salman Rushdie and John Irving, White Teeth is a comic, canny, sprawling tale, adeptly held together by Smith’s literary sleight of hand.” -- Entertainment Weekly“A magnificent and audacious novel, jampacked with memorable characters and challenging ideas.” -- The Atlanta Journal & Constitution“Ambitious, earnest and irreverent. . . Smith has a real talent for comedy and a fond eye for human foibles.” -- The Wall Street Journal“Wonderful…. Zadie Smith…possesses a more than ordinary share of talent.” -- USA Today “[White Teeth] is, like the London it portrays, a restless hybrid of voices, tones, and textures…with a raucous energy and confidence.” -- The New York Times Book Review [P] Vintage / June 12, 2001 0.98" H x 8.63" L x 5.13" W (0.76 lbs) 464 pages

White Teeth /// Zadie Smith

One of the New York Times’s 100 Best Books of the 21st CenturyWinner of the 2006 Orange Prize for Fiction, another bestselling masterwork from the celebrated author of Swing Time and White Teeth“In this sharp, engaging satire, beauty’s only skin-deep, but funny cuts to the bone.” —Kirkus ReviewsHaving hit bestseller lists from the New York Times to the San Francisco Chronicle, this wise, hilarious novel reminds us why Zadie Smith has rocketed to literary stardom. On Beauty is the story of an interracial family living in the university town of Wellington, Massachusetts, whose misadventures in the culture wars—on both sides of the Atlantic—serve to skewer everything from family life to political correctness to the combustive collision between the personal and the political. Full of dead-on wit and relentlessly funny, this tour de force confirms Zadie Smith’s reputation as a major literary talent. BIO Zadie Smith is the author of the novels White Teeth, The Autograph Man, On Beauty, NW and Swing Time; as well as a novella, The Embassy of Cambodia; three collections of essays, Changing My Mind, Feel Free and Intimations; a collection of short stories, Grand Union; and the play, The Wife of Willesden, adapted from Chaucer. She is also the editor of The Book of Other People. Zadie Smith was born in north-west London, where she still lives. REVIEWS Named one of the Ten Best Books of the Year by the New York Times Book Review, Entertainment Weekly, Time, and Publishers Weekly, A New York Times, Wall Street Journal, USA Today, San Francisco Chronicle, Los Angeles Times, Boston Globe, Denver Post, and Publishers Weeklybestseller, A Los Angeles Times, Boston Globe, Chicago Tribune, San Francisco Chronicle, Atlantic Monthly, Newsday, Christian Science Monitor, and Minneapolis Star Tribune Best Book of the Year, and Short-listed for the Man Booker Prize “. . . [A] thoroughly original tale about families and generational change, about race and multiculturalism in millennial America, about love and identity and the ways they are affected by the passage of time. Ms. Smith possesses a captivating authorial voice—at once authoritative and nonchalant, and capacious enough to accommodate high moral seriousness, laid-back humor and virtually everything in between—and in these pages, she uses that voice to enormous effect, giving us that rare thing: a novel that is as affecting as it is entertaining, as provocative as it is humane.” -- Michiko Kakutani, The New York Times“Oh happy day when a writer as gifted as Zadie Smith fulfills her early promise with a novel as accomplished, substantive and penetrating as On Beauty. It’s a thing of beauty indeed. In tackling grown-up issues of marriage, adultery, race, class, liberalism and aesthetics, she thrillingly balances engaging ideas with equally engaging characters. As good as she is with big ideas, Smith is even stronger at capturing family dynamics, the heartbreak of broken trust as well as the lovely connections between siblings. -- The Los Angeles Times Book Review“In this sharp, engaging satire, beauty’s only skin-deep, but funny cuts to the bone.” -- Kirkus Reviews“Smith’s specialty is her ability to render the new world, in its vibrant multiculturalism, with a kind of dancing, daring joy. . . . Her plots and people sing with life. . . . One of the best of the year, a splendid treat. ” -- Chicago Tribune“On Beauty is a rollicking satire . . . a tremendously good read.” -- San Francisco Chronicle [P] Penguin Books / September 01, 2006 1.1" H x 8.3" L x 5.5" W (0.95 lbs) 464 pages

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