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At the Vanguard: Making and Saving History at Historically Black Colleges and Universities
edited by Deborah Tulani Salahu-Din, contributions by Dorothy Berry, Kinshasha Holman Conwill, Jelani M. Favors and Jeanelle K. Hope
$17

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The first volume in a major new series offering a compelling glimpse into the transformative and revolutionary world of HBCUs, that reveals the complex stories that their collections tell us.

This book, featuring objects from the museums and archives at five HBCUs—Jackson State, Tuskegee, Florida A&M, Clark Atlanta, and Texas Southern Universityies—attests to the aesthetic value of African American cultural production on university campuses, the persistent development and expansion of HBCU academic programs, and the impact of student-led activism on campuses and throughout surrounding communities. Organized into four main sections, focusing on the partner institutions, arts, academics, and activism, this remarkable assembly of images will inspire readers to engage with, reflect on, and examine the unforgettable stories they represent.

The museums and archives at the five HBCUs featured tell unique stories, from detailed community histories and accounts of civil-rights era activism to premiere collections of African American art. Together, these institutions paint a powerful and multifaceted picture of African American academia and beyond.

This multi-volume series of publications stemming from the work of NMAAHC’s HBCU History and Culture Access Consortium (HCAC), is a companion publication to the exhibition that will travel to each participating institution from September 2025.

BIO

Deborah Tulani Salahu-Din is a writer and researcher with twenty years of university teaching experience in academic and creative writing and an editor with significant corporate experience. Tulani Salahu-Din is also a museum consultant with ten years of experience in exhibition research with a sole focus on African American history and culture. She is currently a researcher with the Smithsonian in Washington, DC.

REVIEWS

At the Vanguard does more to take seriously the life changing work of Black memory workers at HBCUs; it artfully and rigorously pushes us to accept the multiple ways cultural workers at HBCUs have created the most lasting artful pathways in my lifetime. Absolutely necessary and unforgettable." -- Kiese Laymon, Professor of English and Creative Writing, Rice University

“Opening the pages of this book is like diving into a treasure trove of African American history...The essays, informative and tautly written, provide critical information about museums, archives, murals, records, and sculptures of HBCUs. The pictures are a joy to behold...pictures of some of the art works collected are a powerful reminder of our persistence and resilience.” -- Dr. Julianne Malveaux, economist, author, and President Emerita of Bennett College

[P]  Giles  /  September 16, 2025

9.0" L x 7.0" W 88 pages